A CARVED IVORY CUP AND COVER
Prospective purchasers are advised that several co… 顯示更多 PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION (LOTS 92-99)
A CARVED IVORY CUP AND COVER

NETHERLANDISH OR GERMAN, SECOND QUARTER 18TH CENTURY

細節
A CARVED IVORY CUP AND COVER
NETHERLANDISH OR GERMAN, SECOND QUARTER 18TH CENTURY
The waisted gadroon-carved lid with putti supporting an orb, the pierced strapwork body set to front and back with a cartouche depicting a seated nymph emblematic of harvest surrounded by putti holding wheat sheaves, with volute handles, the interior with silver-gilt beaker with maker's mark 'IPB' and spread-eagle town mark, the stem supported by entwined figures, on a circular foot, with fitted gilt-tooled tan leather case; minor losses and damages
14½ in. (37 cm.) high
來源
Sotheby's, London, 12th December 1985, lot 279.
出版
COMPARATIVE LITERATURE:
J. Leeuwenberg and W. Halsema-Kubes, Beeldhouwkunst in het Rijksmuseum, Amsterdam, 1973, pp. 267-8, no. 362a-b and p. 272, no. 369.
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Shari Kashani
Shari Kashani

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拍品專文

In terms of style the present cup and cover relates to the type of decorative vases being carved, albeit in stone and on a larger scale, by the likes of Jan Pieter Van Baurscheit the elder and Jan van Logteren in the first half of the 18th century. The former's vases depicting Jupiter and Callisto and Apollo and Daphne and the latter's vase of Venus, Vulcan, Apollo and Daphne (all housed in the Rijksmuseum, Amsterdam and illustrated in Leeuwenberg, loc. cit.) have a very similar attention to the rich ornamentation throughout. This aspect is also visible on the wood throne by Pieter Scheemaekers the Elder who incorporates into his rich decorative scheme putti similar to those on the cup and cover offered here (ibid., no. 349). The 18th century dating is also corroborated by the fact that the silver-gilt liner of the cup and cover is stamped with the marks of the Frankfurt-based silversmith Johann Peter Beyer (fl. 1729-84) and the fact that the fitted leather case appears to be 18th century in date. The attribution of the ivory cup and cover to a rococo Netherlandish school is not necessarily inconsistent with the fact that the liner is stamped by a German silversmith, as it is always possible that the present liner is a replacement.

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