A RARE VARIEGATED GREY-GREEN SLATE MODEL OF A QIN
A RARE VARIEGATED GREY-GREEN SLATE MODEL OF A QIN

MING/QING DYNASTY (1368-1911)

Details
A RARE VARIEGATED GREY-GREEN SLATE MODEL OF A QIN
MING/QING DYNASTY (1368-1911)
Of Confucian type, made of smooth variegated grey-green slate with paler and darker grey swirled markings, possibly green duan stone, gracefully waisted along two ends of the body, the slightly convex top inlaid along one side with thirteen copper studs (hui), the underside a separately made inset plate of similar material cut with two rectangular sound holes, the longer 'dragon's pond' revealing a twelve-character inscription and the shorter 'phoenix pool,' both below the seven tasseled white jade tuning pegs, zhen, at the broad end, each tuning peg attached with a string stretched over the upper surface and secured on the underside to either of the two white jade flower-form yazu, 'Wild Geese Feet' on the underside, with two square white soapstone corner supports at the back
46¼ in. (117.5 cm.) long, brocade cover, Japanese wood box
Provenance
Private Japanese collection.
Brian Harkins, London.

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Lot Essay

The inscription carved inside may be read, 'Made by Daikui of Yu county in the wuyin year of the Taiyuan reign of the Jin dynasty (AD 378).'
The qin is one of the most highly regarded Chinese musical instruments, and has long been associated with the literati. The ability to play the qin was essential in accordance with the four scholarly accomplisments of a gentleman - the other ideals being the composition and writing of calligraphy, painting, and to excel at weiqi. The playing of the qin was thought to cultivate the spiritual mind.
Models of qin were also made from other materials including iron and marble, and would have been made for display purposes. A very rare porcelain qin of 17th-18th century date inscribed with a Qianlong poem in the collection of the National Palace Museum, Taipei, is illustrated by Yu Peichin, "Consummate Images: Emperor Qianlong's Vision of the 'Ideal' Kiln," Orientations, November/December 2011, p. 81, figs. 1 and 1a.

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