拍品專文
Ganz and Kendall identify Blanche Hoschedé Painting as one of a group of six paintings featured in Thornley's album which Monet kept as personal favorites until the end of his life.
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Blanche Hoschedé Painting, from 20 Lithographies (Ganz and Kendall p. 235 No. 237)
細節
AFTER CLAUDE MONET (1840-1926)
by WILLIAM THORNLEY (1875-1935)
Blanche Hoschedé Painting, from 20 Lithographies (Ganz and Kendall p. 235 No. 237)
lithograph in grey-black, green and red, 1894, on off-white Chine appliqu©e to a wove support, signed in pencil by both Thornley and Monet, with Thornley's red ink stamp (not in Lugt), from the edition of 25, published by J. Mancini, Paris, with full margins, pale foxing to the subject, the number '1' stamped in ink at the lower right sheet corner, otherwise generally in good condition, framed
L. 6½ x 8 in. (164 x 205 mm.)
S. 15¾ x 22½ in. (400 x 570 mm.)
by WILLIAM THORNLEY (1875-1935)
Blanche Hoschedé Painting, from 20 Lithographies (Ganz and Kendall p. 235 No. 237)
lithograph in grey-black, green and red, 1894, on off-white Chine appliqu©e to a wove support, signed in pencil by both Thornley and Monet, with Thornley's red ink stamp (not in Lugt), from the edition of 25, published by J. Mancini, Paris, with full margins, pale foxing to the subject, the number '1' stamped in ink at the lower right sheet corner, otherwise generally in good condition, framed
L. 6½ x 8 in. (164 x 205 mm.)
S. 15¾ x 22½ in. (400 x 570 mm.)