A PAIR OF GEORGE III GILTWOOD SIDE TABLES
A PAIR OF GEORGE III GILTWOOD SIDE TABLES
A PAIR OF GEORGE III GILTWOOD SIDE TABLES
2 More
A PAIR OF GEORGE III GILTWOOD SIDE TABLES

CIRCA 1770-5, POSSIBLY BY MAYHEW AND INCE, THE SPECIMEN LAVA TOPS FLORENTINE, CIRCA 1750 AND EXTENDED WITH SCAGLIOLA TO FIT THE BASES

Details
A PAIR OF GEORGE III GILTWOOD SIDE TABLES
CIRCA 1770-5, POSSIBLY BY MAYHEW AND INCE, THE SPECIMEN LAVA TOPS FLORENTINE, CIRCA 1750 AND EXTENDED WITH SCAGLIOLA TO FIT THE BASES
Each Italian specimen lava rectangular top with extended scagliola re-entrant front corners and spreading concave sides, above a stiff-leaf cornice, the frieze applied with gilt-composition stiff leaves and husks, edged with guilloche, centred by a later foliate roundel and hung with laurel swags, on turned tapering fluted legs headed by bearded ram's masks and inset with tapering flowers, on stepped turned and fluted feet, one with paper label inscribed in ink 79/58, the underside of the other inscribed in crayon '39/Top goes to this table/Glass in case 40' and in pencil 'this for the longest slab', adjusted in width to accommodate the tops and with consequential changes, the frame of one table strengthened, the lower six inches of the feet of the other replaced, re-gilt and refreshments to gilding, some plaster replacements to gilt-composition leaves
35¼ in. (89.5 cm.) high; 76 in. (193 cm.) wide; 31¾ in. (81 cm.) deep; one slightly wider and deeper (2)
Provenance
With Partridge, London.

Brought to you by

Olivia Leahy
Olivia Leahy

Lot Essay

The origin of these impressive and crisply-carved tables with magnificent specimen marble tops is sadly unknown and only one comparable table has been hitherto identified - a closely related example, measuring a massive 7 ft. 6 in. in width, with stretchers and with a neoclassical oval relief to the centre of the frieze, was advertised in The Connoisseur, August 1929.

This arrangement of specimen marbles or in a lozenge pattern was popular amongst marmisti (marble-workers), whose skill for inlaying hardstones and range of specimens were held in high regard by Grand Tourists of the 18th and 19th centuries. Some 18th-century marmisti, such as Antonio Minelli, were described as using up to 170 different kinds of marbles for their table tops. The centres for specimen marble table top production, which continued well into the 19th Century, were Florence, Rome, and Naples, although examples were also made in England (A.M. Giusti, Pietre Dure, London, 1992). The striking specimens used to create the top of these tables appear to be volcanic specimens from the south of Italy, and related mosaic tops can be found at Paxton House in Scotland. Patrick Home of Wedderburn (1728-1808), who had embarked on a Grand Tour to Italy in 1750-51 and again in 1771-79, returned to Scotland with vast collections of Italian pictures, vases, chimneypieces and marble tops, including several incorporating specimen lava. The Paxton lava tops are mentioned in 1814 invoices addressed to his nephew - and subsequent heir - George Paxton, who had commissioned William Trotter to make supports for the mosaic slabs (F. Bamford, Dictionary of Edinburgh Wrights and Furniture Makers, Leeds, 1983, pp. 54 & 56). Further related specimen marble table tops include the set of four slabs at Saltram House, Devon, bought by John Parker, later 1st Lord Bovington (d. 1788), during his Grand Tour in 1764. Three similar specimen lava slabs were bought by Brownlow Cecil, 9th Earl of Exeter (d. 1793) for Burghley House, Lincolnshire, during his Grand Tour 1763-4, and another was given by 9th Earl to the British Museum in 1764. An additional example of a specimen lava top of Roman manufacture was probably bought by William Cole, 1st Earl of Enniskillen (d.1803) for Florence Court, Co. Fermanagh, Ireland, later sold Christie's London, 11 November 1999, lot 182.

More from Mount Congreve: The London Sale

View All
View All