Ivan Pokhitonov (1850-1923)
Ivan Pokhitonov (1850-1923)

L'entrée du côté du village à la propriété Matrionovka

Details
Ivan Pokhitonov (1850-1923)
L'entrée du côté du village à la propriété Matrionovka
signed 'I. Pokitonow' (lower right); inscribed in Russian, dated and numbered 'A present to my Niunka/1892/Entrance from the side of the village to the Matrionovka holding/on the river Pomoshnaia in the Kherson region, Elizavetagrad commune/which belongs to Varvara Nikolaevna Pokhitonova/née Bylich. View from the hut of Skliarenka/September 1881/N 58/Entrance/into Matrionovka/holding on the Po-/moshnaia/Kherson reg./Elizavetagrad/commune./1881./Entrance/into Matrionovka./belonging to Varvara Nikolaevna Pokhitonova/née Bylich/A present to dear Niunka/24 December 1892./Property of/Evgeniia/Constant/Wulfert/58/Property of Evgeniia Con. Wulfert' (on the cradle)
oil on panel
4 7/8 x 10 in. (12.3 x 26 cm.)
Painted in 1881
Provenance
Gift from the artist to Eugénie von Wulfert in 1892.
By descent to the artist's son, Boris Wulfert-Pokhitonov, Brussels.
Literature
Exhibition catalogue, Le salon de 1900, Brussels, 1900, listed p. 37, no. 132.
Exhibition catalogue, Exposition du peintre russe Ivan Pokitonow, Liége, 1906, no. 12.
Exhibited
Probably, Brussels, Société des Beaux-Arts, Le Salon 1900, 7 April-14 June 1900, no. 132, listed as Village de la Petite-Russie.
Liège, Cercle des Beaux-Arts et de l'oeuvre des Artistes, Exposition du peintre russe Ivan Pokitonow [...], 12-24 May 1906, no. 12.

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Lot Essay

This charming oil depicts Pokhitonov's family estate, Matrionovka, which belonged to the artist's mother, Varvara Bylich. Painted in 1881, Pokhitonov was by this point beginning to achieve significant recognition in the West, captivating Parisian artistic society with his delicate miniature paintings; he was also missing Russia acutely and subsequently made a series of visits to his homeland. Another depiction of his mother's estate, depicted from another angle, was painted in Brussels in 1923 from a photograph. According to the inscription, this painting was presented by the artist to Eugénie von Wulfert, his wife's sister and the mother of his illegitimate son Boris, on the occasion of her name day on 24th of December 1892 (the Julian calendar).

This work will be included in the forthcoming catalogue raisonné of the artist's work being prepared by Olivier Bertrand.

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