A ROMAN MARBLE DRAPED FEMALE FIGURE
PROPERTY FROM THE WILSON ESTATE, ARIZONA
A ROMAN MARBLE DRAPED FEMALE FIGURE

CIRCA 2ND CENTURY A.D.

細節
A ROMAN MARBLE DRAPED FEMALE FIGURE
CIRCA 2ND CENTURY A.D.
Depicted over-lifesized, standing with her weight on her right leg, the left leg bent and slightly advanced, clad in three distinct layers, her tunic with buttons secured along the sleeve of her right arm, falling to the floor with deep vertical folds, her stola held by thin straps over her shoulders, forming pronounced V-shaped creases across her chest, belted below her breasts and extending to below her knees, and a palla, wrapped twice around her body, with a horizontal gathering of folds across her waist, one end falling over her left forearm, the upper edge of the palla along her right shoulder, originally covering her head as a veil, the deeply-rendered cascading folds falling down her side, a deep mortise for the separately-made head, the side of her right arm with a recessed panel and motise for attachment
64¼ in. (168.3 cm.) high
來源
Acquired in Europe and brought to Arizona in the mid-1960s to early 1970s; thence by descent.

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拍品專文

This monumental draped figure of a woman is of a type known today as the "praying woman," originating from either the Artemisia of Halicarnassus or from a statue of a praying or sacrificing woman from the 4th century B.C., with at least twelve later variations. Bieber (Ancient Copies, Contributions to the History of Greek and Roman Art, pp. 197-198) believes that these variations are more directly influenced by a statue of the Empress Livia from the Augustan period (fig. 807 in Bieber). From the 1st century A.D. the type was created headless to be fitted for portrait heads of women, often to be displayed in a public context. For similar examples see nos. 812-817 in Bieber, op. cit.

The Wilson Estate in Arizona was a Michael Taylor design. Mr. Taylor is described in Salny, Michael Taylor, Interior Design as "one of the most innovative, imitated and internationally respected design icons of the twentieth century... [who] brought with him a new vision that changed California's, and the profession's approach to interiors."

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