A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS
A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS
A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS
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PROPERTY FROM A NEW YORK PRIVATE COLLECTOR
A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS

BY ETIENNE MEUNIER, CIRCA 1775

Details
A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS
BY ETIENNE MEUNIER, CIRCA 1775
Each with oval back with cartouche cresting and bowed seat covered in cream cut velvet, the frames carved with foliage, beading and Vitruvian scrolls, on fluted tapering legs, each seatframe with printed label COLLECTION ANDRE MEYER, NEW YORK CITY 1970 and inventory numbers S38B and S38C stamped E MEUNIER to back rails (2)
Provenance
Andre Meyer and by descent.
Anonymous Sale; Christie's, New York, 23 October 1998, lot 107.

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Lot Essay

The maîtrise date for Etienne Meunier is not recorded. Based in the rue de Clery, he was active during the reign of Louis XV until the early 1770s. His work was partly sold though the intermediary of marchands-ébénistes such as Etienne Igoe, but primarily Pierre Migeon (B. Pallot, The Art of the Chair, Paris, 1989, p. 312).

André Meyer (1898-1979) was a self-made financier, whose astounding success led to his sobriquet as "the Picasso of Banking." He was a partner of Lazard Frères and became head of their American operations after the Second World War, where he was responsible for making Lazard the top mergers and acquisitions firm in post war America. Meyer was an avid collector, and his interests encompassed Impressionist paintings by Picasso, Cezanne and Monet as well as important French furniture and musical scores. He donated a Cezanne to the Museum of Modern Art and left his collection of nineteenth century paintings to the Metropolitan Museum of Art.

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