A MEISSEN FIGURE OF HARLEQUIN
VAT rate of 5% is payable on hammer price and at 2… Read more
A MEISSEN FIGURE OF HARLEQUIN

CIRCA 1740

Details
A MEISSEN FIGURE OF HARLEQUIN
CIRCA 1740
Modelled by J.J. Kändler, seated on a tree-stump supporting a jug on his left knee and holding a hat in his right hand, wearing a black mask, a jacket painted with panels of playing cards reserved on blue or yellow grounds and iron-red and puce scale-pattern, and yellow and black trousers, enriched in gilding, on a shaped rocky base (right arm cracked and restored at elbow, left thumb replaced with associated restoration to hand and jug, restored chip to footrim, some flaking to trousers and minor flaking to jacket)
6½ in. (16.5 cm.) high
Provenance
Anonymous sale; Bonham's, London, 21 May 2003, lot 26.
Literature
Birte Abraham, Commedia dell'Arte, The Patricia & Rodes Hart Collection of European Porcelain and Faience, Amsterdam, 2010, pp. 26-27.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

Brought to you by

Dominic Simpson
Dominic Simpson

Lot Essay

King Frederick the Great of Prussia was so enamoured of this figure that during the second Silesian War in 1745 he purchased '9, emaill. Arlequins mit Kanne' (9 enamelled Harlequins with jug).1

Examples of this model appear with slight variations, such as the angle of the body on the tree-stump and the design of the jug, which appears both with and without a cover. For an example with the initials ZM and date 1738 inscribed on the jug see Reinhard Jansen (ed.), Commedia dell'Arte, Fest der Komödianten, Keramische Kostbarkeiten aus den Museen der Welt, Stuttgart, 2001, p. 43, no. 14. The letters apparently refer to Zanni Müller, the court jester Joseph Ferdinand Müller, who called himself 'Zanni'. He often played the role of Harlequin in the comedies performed by his drama group at the Dresden court. For further discussion see H. Sonntag, 'Zanni Müller mit Deckelkanne, Zwei Meissener Harlekinfiguren von Johann Joachim Kändler' in Weltkunst 5, 1995, p. 582f.

Two further figures of the same model from the Pauls Collection are illustrated by Dr. Erika Pauls-Eisenbeiss, German Porcelain of the 18th Century, London, 1972, Vol. I, pp. 264-267, where she cites other comparable examples.

1. See Ulrich Pietsch, Die Figürliche Meissner Porzellanplastik von Gottlieb Kirchner und Johann Joachim Kändler. Bestandskatalog der Porzellansammlung Staatliche Kunstsammlungen Dresden, Munich, 2006, p. 63.

More from LA MARCHE COMIQUE Porcelain from the Patricia Hart Collection

View All
View All