A CARVED FRUITWOOD FIGURE OF THE CALLIPYGIAN VENUS
A CARVED FRUITWOOD FIGURE OF THE CALLIPYGIAN VENUS

AFTER THE ANTIQUE, PROBABLY ITALIAN, 18TH CENTURY

Details
A CARVED FRUITWOOD FIGURE OF THE CALLIPYGIAN VENUS
AFTER THE ANTIQUE, PROBABLY ITALIAN, 18TH CENTURY
On an integrally carved oval plinth, and an associated square stained wood base with a paper label to the underside inscribed in ink; two repaired sections to the oval plinth
7¼ in. (18.4 cm.) high; 8 1/8 in. (20.5 cm.) high, overall
Provenance
Otto Wertheimer.
Dr and Mrs Alfred Scharf, and presented by Mrs Scharf to Mrs. Herbert Bier.
Exhibited
Manchester, City Art Gallery, Between Renaissance and Baroque: European Art, Mar. - Apr. 1965, no. 447, on loan from Dr. and Mrs. A. Scharf.

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Caitlin Yates
Caitlin Yates

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Lot Essay

The Callipygian Venus, literally translated, derives from the stems calli - meaning beauty or good - and pyge - meaning buttocks. The prototype was conceived as a titillating and seductive observation of the female form and was inspired by Athenaeus' 3rd Century AD tale of two young beautiful girls from Syracuse arguing over who had the finer buttocks. To settle the argument they accosted a young man passing by and asked him to judge. Whilst he deemed that the elder had the finer, his younger brother concluded otherwise and fell in love with the other sister. The double marriage that followed resulted in a temple dedicated to Venus Kallipygnos in Syracuse. The antique marble original now housed in the Museo Nazionale, Naples, is recorded in the Farnese collection, Rome, in 1594. Between 1786 and 1792 it underwent restoration by the sculptor Carlo Albacini before being moved to Naples.

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