A CASTELLI PHARMACY SYRUP-JAR OF 'ORSINI-COLONNA' TYPE
A CASTELLI PHARMACY SYRUP-JAR OF 'ORSINI-COLONNA' TYPE

CIRCA 1540-55, ALMOST CERTAINLY WORKSHOP OF ORAZIO POMPEI

Details
A CASTELLI PHARMACY SYRUP-JAR OF 'ORSINI-COLONNA' TYPE
CIRCA 1540-55, ALMOST CERTAINLY WORKSHOP OF ORAZIO POMPEI
The front with an ochre and blue dragon's head spout moulded with scales and joined to the neck with a support, flanked by two shaped orange-ground panels reserved with blue palmettes, the spout and panels edged with turquoise bands, above a hunting scene in shades of blue with two hounds attacking a hare, above a yellow-edged label with scrolling ends named for VLEP·VIOLATUM·, the reverse with blue scrolls, an armorial device below the strap handle (restored through base and into hounds, crack to body to left of handle, restoration to rim and crack to left of handle, some repairs to spout, glaze flaking to base of handle and area by tail and back of hound)
9 15/16 in. (25.3 cm.) high
Provenance
Stanley Mortimer Collection, according to the paper label attached to the underside (inscribed OUB.BBc. in sepia ink).
'The Property of a Gentleman, resident in Houston, Texas'; sale Sotheby's, London, 20th November 1962, lot 72.
Literature
Vincenzo de Pompeis et al., Le Maioliche Cinquecentesche di Castelli, Pescara Exhibition Catalogue, Brescia, 1989, pp. C154-C155, no. 366.

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Dominic Simpson

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Lot Essay

Faint ink numerals 3589 to underside

This spouted jar is part of a group of pharmacy bottles, albarelli and spouted jars which were originally thought to have come from one pharmacy in Rome, but which are now thought to have come from more than one pharmacy.

Although the association of jars of this type is actually with the Orsini family,1 they have come to be called 'Orsini-Colonna' type after Bernard Rackham used the term in relation to the two-handled pharmacy bottle in the British Museum2 which shows the Orsini bear embracing the Colonna column, accompanied by the inscription 'and we shall be good friends'.3 The Orsini family were the feudal Lords of Castelli until 1526, but it has only recently been discovered that these jars were made at Castelli.

Excavations at the site of the Pompei workshop in Castelli in the 1980s uncovered a large quantity of fragments of kiln waste which relate to the 'Orsini-Colonna' type jars. Comparison with ceiling tiles in the local church of San Donato showed further similarities, and in combination it demonstrated that most, if not all, jars of this type were made at Castelli. Two dated panels, which are also related to the 'Orsini-Colonna' type jars have contributed to the stylistic dating of the jars. Vincenzo de Pompeis analysed elements of the decoration and proposed a stylistic chronology of the 'Orsini-Colonna' jars.4 The blue palmettes on the present jar, with the central blade-like shapes, and the monochrome blue scene are both characteristics of the first, and earliest, group.

1. Three pieces have the Orsini arms. For the Lehman Collection example, see Jörg Rasmussen, Robert Lehman Collection X Italian Majolica, Metropolitan Museum of Art, New York, 1989, pp. 88-89, no. 51.
2. Dora Thornton and Timothy Wilson, Italian Renaissance Ceramics, A Catalogue of the British Museum Collection, London, 2009, Vol. II, pp. 540-544, no. 338.
3. This refers to the Pax Romana arranged in 1511 by Pope Julius II between the two rival Roman aristocratic families who had been constantly feuding.
4. Pescara Exhibition Catalogue cited above, pp. 75-108.

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