Tateishi Harumi (Haruyoshi; 1908-1994)
Tateishi Harumi (Haruyoshi; 1908-1994)

Shukujo (Elegant ladies), 1931

細節
Tateishi Harumi (Haruyoshi; 1908-1994)
Shukujo (Elegant ladies), 1931
Signed and dated Showa rokunen aki (1931 autumn) Harumi saku, sealed Harumi
Two-panel screen; ink, color, gold and silver on silk
74 5/8 x 81in. (189.5 x 206cm.)
Previously sold in these Rooms, 22 September 2005, lot 201
來源
Hosokawa Rikizo Collection
Meguro Gajoen Museum of Art, Tokyo
出版
Nittenshi hensan iinkai (Nittenshi ed. staff), ed., Teiten hen 5 (Teiten vol. 5), vol. 10 of Nittenshi (History of Nitten [Japan Art Exhibition]) (Tokyo: Korinsha, 1983), p. 140, no. 239.

Art One Co., Ltd., ed., Meguro Gajoen korekushon: Showa shoki no Nihonga meihinten--Bijin to kacho (The Meguro Gajoen collection: Masterpieces of modern Japanese-style paintings of the early Showa period--Beauties, birds and flowers) (Yokohama: Sogo Museum; Tokyo: Nihon keizai shinbunsha, 1988), pl. 16.

Hosono Masanobu et al., Kindai no bijinga: Meguro Gajoen Korekushon Paintings of Japanese Beauties at the Turn of the Century (Kyoto: Kyoto shoin, 1988), pl. 20.
展覽
12th Teiten, 1931

Sogo Museum, Yokohama, "Meguro Gajoen korekushon: Showa shoki no Nihonga meihinten-Bijin to kacho" (The Meguro Gajoen collection: Masterpieces of modern Japanese-style painting of the early Showa period-Beauties, birds and flowers), 1988.1.3-17

榮譽呈獻

Heakyum Kim
Heakyum Kim

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拍品專文

Harumi was born Tateishi Haruyoshi in Saga Prefecture, where he first studied Western-style oil painting (yoga) with Kajiwara Kango (1887-1958). By 1928, he entered the Tokyo atelier of the Nihonga (Japanese-style) painter Ito Shinsui (1898-1972). In 1931, the painting shown here was accepted for the 12th Teiten and won a prize. Harumi is considered one of the major figure painters of his time and specialized in the genre of bijinga, or beauty painting.

In 1950, Harumi became a founding member of Jitsugetsusha with Ito Shinsui. In 1954 he took the name Harumi and exhibited under this name in 1955 in a one-man show at the Takashimaya Department Store Gallery, Nihonbashi, Tokyo. Beginning in 1963, Harumi served as a juror for the Nitten. He exhibited continuously in all major government-sponsored exhibitions (Teiten, Shin-Bunten, Nitten, Hoshukuten, and so on) throughout his career and won numerous awards.

In 1993, the Saga Prefectural government established a memorial museum for Harumi. He died in Atami (Shizuoka Prefecture) in 1994. His eldest son, Tateishi Hideharu, who is also a Nihonga artist, lives near Atami in Yugawara.

For more paintings by Harumi, see John D. Dower, Anne Nishimura Morse, Jacqueline M. Atkins and Frederic A. Sharf, The Brittle Decade (Boston: Museum of Fine Arts, 2012).