A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT
A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT
A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT
A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT
3 更多
A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT

BY MAISON MILLET, PARIS, LATE 19TH CENTURY

細節
A FRENCH ORMOLU-MOUNTED TULIPWOOD BUREAU-PLAT
BY MAISON MILLET, PARIS, LATE 19TH CENTURY
The shaped rectangular top with moulded ormolu surround with foliate clasps, inset with a gilt-tooled black leather writing surface, the frieze with three drawers divided by foliage and with acanthus-cast handles, with simulated drawers to the reverse, the sides centred with scrolling foliage, on cabriole legs headed by pierced coquille clasps with acanthus running to sabots, signed to the lockplate 'Millet 50 R. St. Sabin Paris'
31½ in. (80 cm.) high; 71¾ in. (182 cm.) wide; 36¼ in. (92 cm.) deep

榮譽呈獻

Amelia Anderson
Amelia Anderson

查閱狀況報告或聯絡我們查詢更多拍品資料

登入
瀏覽狀況報告

拍品專文

With its pierced rockwork chutes and frieze enriched with bountiful foliate mounts, this impressive bureau plat embodies the essence of the full-blown Louis XV style which Maison Millet was renowned for. While the use of richly-grained kingwood and the presence of sinuous curves are in keeping with the mid-eighteenth century style upon which the bureau is based, the present table also relates to the oeuvre of the celebrated ébéniste Jacques Dubois. Designed as rosettes of swirling rococo form, the mounts applied to the sides of the present bureau are reminiscent of Dubois's signature foliate swirls. Comparable pierced swirling rosettes can be found on a bureau plat by Dubois illustrated in P. Kjellberg, Le Mobilier Français du XVIIIè Siècle, Paris, 1989, p. 273, as well as on one formerly in the collections of Baron de Redé at the Hôtel Lambert, Paris. A further bureau plat by Dubois with bold and naturalistic acanthus leaves flanking the recessed central drawer, similar to the present lot, is in the collection of the Musée du Louvre (illustrated D. Alcouffe, Furniture Collection in the Louvre, Dijon, 1993, vol. I, p. 150).

更多來自 <strong>滿目琳瑯 :歐洲裝飾藝術五百年</strong>

查看全部
查看全部