An important 18th century gold and enamel mourning ring for George Frideric Handel (1685 - 1759)
An important 18th century gold and enamel mourning ring for George Frideric Handel (1685 - 1759)

Details
An important 18th century gold and enamel mourning ring for George Frideric Handel (1685 - 1759)
The gold band of white champlevé enamel engraved with the legend 'G.F HANDEL OB: 14. APR: 1759. AET: 47. the scroll design hoop with black enamel motif depicting a lyre, the interior hoop with maker's initials EP, finger size L
Further details
George Frideric Handel (1685-1759) was born in Halle Germany on 23rd February 1685. The son of a barber, Handel was brought up by a non musical family. However by the age of 12 Handel had mastered several instruments. He was appointed assistant organist at Halle Cathedral and later trained in Hamburg, favouring the violin and composed his first opera 'Almira' in 1704. He then travelled to Italy in order to study opera composition and it was there that he completed his sixth Opera 'Agrippina', in Venice. In 1710 he moved to London becoming a naturalised citizen in 1727. It was here that he composed perhaps his best known work the 'Water Music' that premiered on 17th July 1717. Handel received approval from the King and was given permission to open the Royal Acadamy of Music. The Academy did not last and a failed attempt at creating another one probably contributed to a stroke that Handel suffered in 1737 at the age of 52. After recovering Handel composed the 'The Dead March (from Saul)' which would later be played at the funeral of Lord Nelson in 1806. In 1741 Handel composed his last opera 'Deidamia' and perhaps his most famous work 'Messiah'
In August 1750 on returning from a trip to Germany Handel was seriously injured in a carriage accident resulting in the loss of sight in one eye. In 1759 at the age of 74 he died at his home in Brook Street. It is widely believed that George Frideric Handel was one of the greatest composers of all time. Handel was never married and this is evident in the use of white enamel used for his mourning rings. It is also interesting to note that his monument designed by Louis Francois Roubiliac in 1738 and commissioned for the Vauxhall gardens, and now in the Victoria and Albert Museum, depicts him seated holding a lyre.

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