A PAIR OF SEVRES (NAPOLEON III) PORCELAIN COBALT-BLUE GROUND TWO-HANDLED VASES (VASE ANTHOPHORE)

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A PAIR OF SEVRES (NAPOLEON III) PORCELAIN COBALT-BLUE GROUND TWO-HANDLED VASES (VASE ANTHOPHORE)

IRON-RED CROWNED N MARK FOR 1868, EACH WITH GREEN PAINTED D.27.AV.37.S, INCISED JB AND GILT HF, VARIOUS OTHER INCISED NUMERALS AND LETTERS, THE MODEL ORIGINALLY DESIGNED BY CHARLES-FRANÇOIS LELOY IN 1819

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A PAIR OF SEVRES (NAPOLEON III) PORCELAIN COBALT-BLUE GROUND TWO-HANDLED VASES (VASE ANTHOPHORE)
IRON-RED CROWNED N MARK FOR 1868, EACH WITH GREEN PAINTED D.27.AV.37.S, INCISED JB AND GILT HF, VARIOUS OTHER INCISED NUMERALS AND LETTERS, THE MODEL ORIGINALLY DESIGNED BY CHARLES-FRANÇOIS LELOY IN 1819
Each of broad baluster form with removable flared neck, the shoulder flanked by gilt enriched scroll handles with winged mask terminals suspending floral swags and bell-flowers
11¾ in. (29.8 cm.) high (4)

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拍品專文

The form name is based on the etymology of antho: flower and the Grec -pherien: porter. It was thought to be the ideal divine form fit for the function. For a pair of vases of the same form painted with medallions, see B. Ducrot, Porcelaines et Terres de Sèvres, Musée National du Château de Compiègne, Paris, 1993, p. 328, fig. 282.

IRON-RED CROWNED N MARK FOR 1868, EACH WITH GREEN PAINTED D.27.AV.37.S, INCISED JB AND GILT HF, VARIOUS OTHER INCISED NUMERALS AND LETTERS, THE MODEL ORIGINALLY DESIGNED BY CHARLES-FRANÇOIS LELOY IN 1819

拍品專文

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