Alighiero Boetti (1940-1994)
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Alighiero Boetti (1940-1994)

Autodisporsi (Placing Oneself)

细节
Alighiero Boetti (1940-1994)
Autodisporsi (Placing Oneself)
signed with the artist's initials, titled and dated 'AEB1974AUTODISPORSI' (lower left)
ballpoint pen on paper
27½ x 39 3/8in. (69.8 x 99.8cm.)
Executed in 1974
来源
Giò Marconi, Milan.
Private Collection, Milan.
Sprovieri Gallery, London.
Acquired from the above by the present owner in 2002.
展览
Milan, Studio Marconi, In folio, 1976.
Modena, Galleria Civica Modena, Palazzina dei Giardini, Una raccolta italiana, 1993, no. 35 (illustrated, p. 96). This exhibition later travelled to Varese, Musei Civici, Villa Mirabello.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
更多详情
This work is registered in the Archivio Alighiero Boetti, Rome, under no. 1756, and will be included in the forthcoming Alighiero Boetti, Catalogo Generale, vol. II.

荣誉呈献

Barbara Guidotti
Barbara Guidotti

拍品专文

'Decisive... is the fact that structures (systems) have replaced pictures and that pictures obtain their meaning from structures (systems). The goal is to convey structures (systems) by constantly rediscovering them and to create pictures in such a way as to forget the structures within them.' (Alighiero Boetti, quoted in Alighiero Boetti, exh. cat., Basel, 1978, unpaged)



Autodisporsi is one of an important early group of works that Alighiero Boetti made in 1974. It comprises of a square of 121 smaller squares drawn on a single sheet of paper. Within each of these squares the artist has filled in a single smaller square inside it in accordance with the positioning of the larger square within the whole structure. As the title of the work, meaning 'auto-arrangement' or 'placing oneself' suggests, the work as a whole outlines a sequential, self-reflexive and self-determining progression. As was his repeated practice, Boetti has here created a beautiful and intriguing abstract picture, from a simple and elegant permutational system.