A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH INKSTAND WITH SEVRES AND MENNECY PORCELAIN
A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH INKSTAND WITH SEVRES AND MENNECY PORCELAIN

CIRCA 1750-1760

Details
A LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND AMARANTH INKSTAND WITH SEVRES AND MENNECY PORCELAIN
CIRCA 1750-1760
The cartouche form rest with molded foliate and C-scroll border and mounted with a Mennecy figure of a shepherdess in front of two scrolling floral candle arms and a central porcelain mounted spray and a central ormolu-mounted Sèvres bowl, with two paper labels to the reverse, one inscribed 7517, the other Collection André Meyer/New York City 1970, the candle nozzles later
9½ in. (24 cm.) high, 18 in. (46 cm.) wide, 13 in. (33 cm.) deep
Provenance
André Meyer; Christie's, New York, 26 October 2001, lot 105.

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Lot Essay

The application of the rose marbré ground was a complicated procedure, involving the application of a blue ground over a fired pink ground and the scraping away of the blue to reveal the pink below in a desired marbled pattern, (Aileen Dawson, French Porcelain, A Catalogue of the Collection of the British Museum, London, 1994, p. 115, no. 103, color plate 16).

André Meyer (1898-1979) was a self-made financier, whose astounding success led to his sobriquet as "the Picasso of Banking." He was a partner of Lazard Frres and became head of their American operations after the Second World War, where he was responsible for making Lazard the top mergers and acquisitions firm in post war America. Meyer was an avid collector, and his interests encompassed Impressionist paintings by Picasso, Cezanne and Monet as well as important French furniture and musical scores. He donated a Cezanne to the Museum of Modern Art and left his collection of nineteenth century paintings to the Metropolitan Museum of Art.

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