A WILLIAM AND MARY EBONY-VENEERED STRIKING EIGHT-DAY TABLE CLOCK WITH PULL QUARTER REPEAT
Prospective purchasers are advised that several co… 顯示更多 THREE TABLE CLOCKS BY THOMAS TOMPION FROM AN IMPORTANT COLLECTION (lots 57-59) Mr Tompion, of London, one of the most eminent persons for making clocks and watches that have been produced in the last age, dyed last week. Indeed he was the most famous and skillfull person at this art in the whole world ---Thomas Hearn, 27 November 1713, quoted in R.W. Symonds, Thomas Tompion: His Life and Work, Batsford, 1951, p. 13. Regaled during his day, Thomas Tompion stands as England's most celebrated clockmaker. As the clocks and timepiece in the following lots demonstrate, Tompion's craftsmanship, ingenuity and contributions to the art of clockmaking are unequaled. Despite his extraordinary career, little is known of his beginnings. Born in Ickfield Green, Bedfordshire, he was presumably brought up as a blacksmith like his father and grandfather. It is not known to whom he was apprenticed, but by September 1671, he was in London and three years later made Free of the Company by Redemption. The same year, he established his shop at the sign of the Dial and Three Crowns in Water Lane and met the great experimental physicist Robert Hooke, whose contacts would raise Tompion from obscurity to the attention of royalty. Patronised by Charles II and subsequently William III, Tompion received the most significant commissions of the day, including two clocks for the Greenwich Observatory and a year-going table clock to celebrate the 1689 coronation of William and Mary, now known as 'the Mostyn' and at the British Museum. As his reputation grew, so did his thriving business. He became Master of the Clockmakers' Company in 1703 and his fame was such that his portrait was painted by the Court artist, Sir Godfrey Kneller. Upon his death, Tompion was buried in Westminster Abbey, his vault later opened to receive the remains of his successor, George Graham.
A WILLIAM AND MARY EBONY-VENEERED STRIKING EIGHT-DAY TABLE CLOCK WITH PULL QUARTER REPEAT

THOMAS TOMPION, NO. 205, LONDON, CIRCA 1692

細節
A WILLIAM AND MARY EBONY-VENEERED STRIKING EIGHT-DAY TABLE CLOCK WITH PULL QUARTER REPEAT
THOMAS TOMPION, NO. 205, LONDON, CIRCA 1692
CASE: with foliate-tied faceted gilt-brass handle to cushion-moulded top and glazed rectangular side panels, silk-backed pierced sound frets to front and sides, the front door with gilt-brass leaf escutcheons, on a moulded plinth base numbered '205' on front sill with square pad feet, restorations DIAL: 8 x 7 inch gilt-brass dial with winged cherub head lower spandrels and scrolled upper spandrels, silvered chapter ring with sword-hilt half hour markers, matted centre with mock pendulum and date apertures, pierced blued steel hands and subsidiary regulation and strike/no strike dials each with engraved rose centre, signed within engraved foliate cartouche 'Thomas Tompion LONDINI Fecit' MOVEMENT: with seven latched ring-turned pillars, twin gut fusees, verge and crown wheel escapement, rise and fall regulation, strike to bell and twin-arm pull quarter repeat to further bell with bone knobs, the tulip engraved back plate signed within a foliate cartouche, 'Tho Tompion LONDINI Fecit' and numbered '205' to lower edge, restorations; with two case keys
14¼ in. (36.2 cm.) high, handle down; 10½ in. (26.6 cm.) wide; 6½ in. (16.5 cm.) deep
來源
R.A. Austen-Leigh, Great Abshot, Titchfield, Hampshire.
Christie's, London, 4 May 1950, Sold by order of R.A. Austen-Leigh, lot 106 (£525 to James Oakes).
With James Oakes, 6 Duke Street, St.James's.
Miss Prudence Craig.
Sotheby's, London, 22 July 1974, lot 62 (£12,000).
Sotheby's, London, 27 January 1975, lot 50 (£5,200).
Sotheby's, London, 20 December 1979, lot 210 (£22,000).
With Derek Roberts Antiques, Tonbridge, 1995.
出版
Antique Dealer & Collectors Guide, June 1953, James Oakes advertisement.
Antiquarian Horology, Winter 1995, Derek Roberts advertisement, p. 428.
J. Evans, Thomas Tompion at the Dial and Three Crowns, Ticehurst, 2006, p. 75 (referenced).
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Gillian Ward
Gillian Ward

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Phase II table clocks to appear at auction in recent years include: No.260 (Christie's, Amsterdam, P.C. Spaans Collection, 19 December 2007, lot 495 Euro 276,000); No. 249 (Christie's, London, 1 July 2008, lot 57 £217,250); and No.440 by Tompion & Banger (Bonhams, 15 December 2009, lot 96, £240,000).

In the 19th century, this clock descended in the family of the celebrated author Jane Austen (1775-1817). Her brother, Rev James Austen, married Mary Lloyd (1771-1843) who was bequeathed an "8-day Tompion clock" from her mother, Martha (Craven) Lloyd in 1799 (PRO. Prob. 11/1435/847). Martha Lloyd, the wife of Rev Nowys Lloyd (1719-1789), Rector of Bishopston, was described as late of the parish of Deane, now Ibthorp in Upper Hurlestone, Hampshire, widow. It is presumed that the clock descended to James Edward Austen (1798-1874), son of James and Mary (he later added Leigh to his surname), and from James Edward it could have passed to his son Cholmeley Austen-Leigh (1829-1899), and thence to Richard Arthur Austen-Leigh (1872-1961), who sold the clock in 1950. At this auction, the clock was purchased by James Oakes, a prolific specialist clock dealer who regularly exhibited at the Antique Dealers' Fair at Grosvenor House from 1947 to 1956 and had shops in Bond Street and Duke Street.

We are grateful to Jeremy Evans for his research on the Austen family.
'Graver 155'
Tompion's engraving can for the most part be identified with four principal craftsmen from his workshop. As Jeremy Evans discusses (Thomas Tompion at the Dial and Three Crowns, Ticehurst, 2006, p. 69), the 'tulip' engraver is the earliest (see lots 58 and 59) and the other three are identified by the clock on which their work first appears: 'G.155', 'G.195' and 'G.515' (the 'G' referring to 'Graver'). Clock no. 205 may be identified with 'G.155', as the delicate treatment of the foliate bordered cartouche and the entwined scrollwork and horizontal platforms are consistent with this craftsman's work. Of the approximately 55 standard size phase II Tompion table clocks listed by Evans, about 24 have engraving attributed to 'G.155'; interestingly of these only 5 are noted as having a date aperture, including the present clock. Two of the most important works by 'G.155' are 'the Mostyn' (unnumbered) and 'Selby-Lowndes' (No.217) table clocks.

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