Spankers Hill

细节

Sam Taylor Wood (b. 1967)
Spankers Hill
c-print
11¾ x 9¼in. (30 x 49cm.)
Executed in 1994, this work is from an edition of five

来源

Anthony Reynolds Gallery, London.
Acquired from the above by the present owner in 1994.

展览

London, Anthony Reynolds Gallery, The Curator's Egg, 1994.

注意事项

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

荣誉呈献

Cristian Albu

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拍品专文

'Unlike other members of her generation, Sam Taylor-Wood prefers the use of very carefully conceived strategies. Photography or film is never used in its direct, unpolished, snapshot-like form. In her films and photos persons from the London scene do appear, but in her work she never does what Nan Goldin does create an epic of her generation. Neither does she want to follow in the footsteps of other Brit Pack representatives, like Tracey Emin and Sarah Lucas, and convey the unmediated revelations of her own life. Taylor-Wood situates herself explicitly in a very English tradition of theoretical and intellectual reflections about art and its functioning'
(H. Visser, quoted in Sam Taylor-Wood, exh. cat., Stedelijk Museum, Amsterdam 2002, p. 12).