Andrea Lehmann (b.1975)
Artist's Resale Right ("Droit de Suite"). Artist's… 顯示更多
Andrea Lehmann (b.1975)

Diamant Technik

細節
Andrea Lehmann (b.1975)
Diamant Technik
(i) signed, titled and dated 'Andrea Lehmann 2005 Diamant-Technik' (on the reverse)
(ii) signed and dated 'Andrea Lehmann Diamant Technik' (on the reverse)
oil and dammar resin on canvas, in two parts
each: 102 3/8 x 78¾in. (260 x 200cm.)
Executed in 2005
來源
Artax Kunsthandel - Ralph Kleinsimlinghaus, Düsseldorf.
Acquired from the above by the present owner in 2005.
出版
Germania, exh. cat., London, Saatchi Gallery, 2008 (illustrated in colour, pp. 140-141).
展覽
Waldkraiburg, Haus der Kunst Waldkraiburg, Unheimlich Jung, 2005 (illustrated on the cover).
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

榮譽呈獻

Cristian Albu
Cristian Albu

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拍品專文

Delving into a girls world of fantasy and fairytale, Andrea Lehmanns Diamant Technik presents a dream-like adventure scene broadcasting both individual and collective desire. Sourcing her material from the internet, as well as her own imagination, Lehmann draws on the style of Japanese animation to encompass an exotic blend of kitsch naivet and hyper-real sophistication. Translated through painting, Lehmanns heroic tableau confuses the intimate and the monumental, creating a gushy sentimentality at odds with its computerised origins and awesome scale. Often basing her figures on her own likeness, Lehmanns paintings become virtual projections of psychological territories, authoring personal identity as alter ego, constructed through the mesmerising and precarious beauty of media saturation. Andrea Lehmanns figurative alter egos navigate precarious netherworlds where media and myth combine in fantastical landscapes described as ultramodern soul mirrors. Working in massive scale, Lehmann broadcasts individual fantasy as collective desire, authoring her escapism with ironic naivet mimicking the irrepressible jubilance of folk murals and Bollywood billboards.

更多來自 <strong>戰後及當代藝術 (90年代迄今)</strong>

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