AN ATTIC BLACK-FIGURED NECK-AMPHORA
THE PROPERTY OF A NEW YORK PRIVATE COLLECTOR
AN ATTIC BLACK-FIGURED NECK-AMPHORA

ATTRIBUTED TO THE GROUP OF BERKELEY 8.3376, CIRCA 520-500 B.C.

Details
AN ATTIC BLACK-FIGURED NECK-AMPHORA
ATTRIBUTED TO THE GROUP OF BERKELEY 8.3376, CIRCA 520-500 B.C.
The obverse with Athena between Herakles and Hermes, the goddess clad in an ankle-length dotted garment and armed in a high-crested helmet, a spear and a shield with a hippocamp as the blazon, the snakes from her aegis writhing below the edge of the shield, a deer beside her, Herakles to the left, wearing a short chiton, the skirt red, his quiver hanging from a baldric, his club raised over his left shoulder, Hermes to the right, moving right and looking back, wearing a short chiton, a chlamys, a petasos and winged boots, his kerykeion in his right hand; the reverse with Dionysos between a satyr and a maenad, the god at the center facing right, wearing a white ankle-length chiton and a dotted himation, a kantharos in his raised left hand, grape vines issuing from his right, looking back toward the maenad, moving left and looking back, clad in an ankle-length dotted peplos and a panther skin, a deer behind her, a satyr to the right, moving left and looking back, with a long beard and cloven hooves; palmette lotus chain on the neck, alternating red and black tongues on the shoulders, rays above the foot, lotus bud chain above, a quatrefoil of palmettes, lotus buds and tendrils below the handles, X's in the center; details in added red and white
16 1/16 in. (40.8 cm.) high
Provenance
E.P. Warren (1860-1928), Oxford.
The Estate of E.P. Warren; Sotheby's, London, 27 May 1929, lot 36.
Albert Gallatin, New York, 1929; thence by descent.
Literature
G.H. Chase and M.Z.P. Philippides, Corpus Vasorum Antiquorum: Cambridge (MA), Fogg Museum and Gallatin Collections, Cambridge, 1942, p. 86, pl. 37,1a-b.
A. Gallatin, The Pursuit of Happiness, New York, 1950, p. 51.
J.D. Beazley, Attic Black-Figure Vase-Painters, Oxford, 1956, p. 391, no. 3.
J.D. Beazley, Paralipomena, Oxford, 1971, 172.
Beazley Archive Database no. 302911.

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Lot Essay

According to his autobiography The Pursuit of Happiness, Albert Gallatin bought his first Greek vase in Paris in 1911. In all, he collected over 200 examples, which formed the principal decoration of his dining room at 7 East 67th Street. The vases were published in two volumes of the Corpus Vasorum Antiquorum, fascicules 1 and 8. When the townhouse was sold in 1941, the majority of the collection was bought by the Metropolitan Museum of Art.
Gallatin's collection was wide ranging in its scope and included ancient Egyptian works of art, Khmer and Benin sculptures, an extensive collection of Japanese paintings and prints, as well as American Indian objects and rare books. His collection of fine arts included paintings by Delacroix, Courbet, Whistler and Gauguin, with sculptures by Rodin, Jennewein and his great friend Paul Manship.
As a young man, Gallatin studied painting under Thomas Moran and continued painting throughout his life, being particularly inspired by the landscape and light of Martha's Vineyard.
In 1930 Gallatin's Etruscan Dekadrachms of the Euainetos Type was published. He was a member of the committee for the Corpus Vasorum Antiquorum, of the Council of Learned Societies, a governor of the American Numismatic Society, a trustee of the Archaeological Institute of America, as well as of the Brooklyn Institute of Arts and Sciences. Gallatin was also a member of various clubs, including The Century Club, The Union Club and The Salmagundi Art Club.

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