A GREEK MARBLE HEAD OF A YOUTH
A GREEK MARBLE HEAD OF A YOUTH

HELLENISTIC PERIOD, CIRCA LATE 4TH-EARLY 3RD CENTURY B.C.

Details
A GREEK MARBLE HEAD OF A YOUTH
HELLENISTIC PERIOD, CIRCA LATE 4TH-EARLY 3RD CENTURY B.C.
Depicted with a smooth round face, his heavy-lidded almond-shaped eyes slightly convex, the bridge of his nose merging with his gently-arching brows, with a small mouth and full lips, his wavy locks brushed forward and bound in a diadem, covering the tops of his ears, with an upturned fringe along his forehead, breaking to the right and left at the center
8 1/8 in. (20.7 cm.) high
Provenance
Possibly with N. Koutoulakis, Paris.
Zimmerman Collection, Geneva.
with Royal-Athena Galleries, New York, 1988 (Art of the Ancient World, vol. VI, Part II, no. 12); 2000 (Art of the Ancient World, vol. XI, no. 6).
Reynolds Price, Durham, North Carolina, 1999.

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Lot Essay

This head recalls several portraits tentatively identified as Hephaestion, the companion of Alexander the Great. Hephaestion (circa 356-324 B.C.) was a Macedonian nobleman and the intimate of Alexander. Pliny, Tatian and Lucian each tell of portraits of the young man, produced by artists such as Lysippos, Philon and Aetion (p. 453 in Stewart, Faces of Power: Alexander's Image and the Hellenistic Politics). While some were commissioned during his life, portraits of Hephaestion were more prevalent after his death. Some were demanded by Alexander to heroize his companion, some were gifted by the court to gain Alexander's favor and others were created later in the Hellenistic period to commemorate Alexander's court.
According to Stewart (pp. 453-454, op. cit.), the only securely identified portrait of Hephaestion is on a late 4th century votive relief from Thessaloniki, identified through the inscription. However, it is generic and provides few clues as to his actual physiognomy. Other likely portraits are a head now at the Getty Villa, a head from Kyme now in Istanbul, and the "Demetrio" Hephaestion from Alexandria. These three portraits are all part of sculptural groups dedicated to Alexander the Great that include the ruler with his companion.

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