A ROMAN CARNELIAN RINGSTONE
Property from a California Private Collection
A ROMAN CARNELIAN RINGSTONE

CIRCA LATE 1ST CENTURY B.C.-EARLY 1ST CENTURY A.D.

Details
A ROMAN CARNELIAN RINGSTONE
CIRCA LATE 1ST CENTURY B.C.-EARLY 1ST CENTURY A.D.
The flat oval stone engraved with a dancing nude satyr, his head thrown back in ecstasy, his attenuated body moving to the right, his weight on one leg, the ankle flexed, the other leg pulled back and bent at the knee, his arms held out, holding a beribboned thyrsus in one hand, a panther skin draped over the other, the fringes and tail flowing out behind, on a short groundline; mounted as a pendant in modern gold setting adorned with granulation, and suspended from a heavy chain
15/16 in. (2.3 cm.) long
Provenance
with Ariadne Galleries, New York, 1999.

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Lot Essay

Dancing satyrs were very popular on Roman gems, the subject ultimately derived from a lost Greek original statue perhaps to be associated with the 4th century B.C. sculptor Praxiteles. A bronze statue of a dancing satyr in this same pose was discovered off the coast of Mazara del Vallo in Sicily in 1998 (see no. 28 in Ekserdjian and Treves, Bronze). Similar satyrs are also found on relief sculpture, together with Bacchus and other followers of the god (see for example the Borghese Vase, now in the Louvre, fig. 166 in Haskell and Penny, Taste and the Antique). On gems the subject was already popular in the late Hellenistic period (see nos. 431-448 in Plantzos, Hellenistic Engraved Gems). For related Roman gems see for example a carnelian in Lisbon, no. 29 in Spier, A Catalogue of the Calouste Gulbenkian Collection of Gems, and another in St. Petersburg, no. 80 in Neverov, Antique Intaglios in the Hermitage Collection.

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