Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)
PROPERTY FROM A PRIVATE COLLECTION 
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

Study for the head of a Queen in 'Arthur in Avalon'

细节
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)
Study for the head of a Queen in 'Arthur in Avalon'
signed with initials and dated 'E.B.J./1885.' (lower left) and inscribed 'for a Queen in/AVALON' (lower right)
pencil, on paper
9 5/8 x 5 7/8 in. (24.4 x 14.9 cm.)
in a period oak frame
来源
George Kitchin from whom purchased by the family of the present owner in the 1920s.

荣誉呈献

Bernice Owusu
Bernice Owusu

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

If it were not for Burne-Jones's own inscription on the drawing, one would hardly recognise it as a study for a Queen in Arthur in Avalon. The four Queens sit at either end of the King's bier, two at his head, the others at his feet, but none of their heads corresponds to the drawing in pose. Perhaps the drawing acquired semi-independent status as the artist worked on it, like his well-known studies for The Depths of the Sea, The Car of Love and others. Certainly it has the exquisite refinement that characterises these supreme expressions of his skill as a draughtsman.

It is true that Burne-Jones sometimes misdated his drawings when preparing them for exhibition, often many years after they had been executed, but he can usually be relied on to identify the subjects correctly.

Burne-Jones and Henry Holiday had a patron called T.M. Kitchin in the 1860s. He remained a friend of Holiday's for many years (see the artist's Reminiscences), and it is possible that he was a relative of George Kitchin who was an owner of this drawing.

For other studies for Arthur in Avalon see lots 2, 3 and 5.