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細節
SALINGER, J.D. (1919-2010). The Catcher in the Rye. New York: Little, Brown and Company, 1951.
8o. Original black cloth; pictorial dust jacket with portrait photograph of Salinger on rear panel (a few small nicks at upper front panel, lightly rubbed along joints of flaps). Provenance: H. Bradley Martin (bookplate; his sale Sotheby's New York, 30 January 1990, lot 2241).
FIRST EDITION. "This novel is a key-work of the nineteen-fifties in that the theme of youthful rebellion is first adumbrated in it, though the hero, Holden Caulfield, is more a gentle voice of protest, unprevailing in the noise, than a militant world-changer... The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices--anger, contempt, self-pity--but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels, pp. 53-54. A FINE AND BRIGHT COPY.
8o. Original black cloth; pictorial dust jacket with portrait photograph of Salinger on rear panel (a few small nicks at upper front panel, lightly rubbed along joints of flaps). Provenance: H. Bradley Martin (bookplate; his sale Sotheby's New York, 30 January 1990, lot 2241).
FIRST EDITION. "This novel is a key-work of the nineteen-fifties in that the theme of youthful rebellion is first adumbrated in it, though the hero, Holden Caulfield, is more a gentle voice of protest, unprevailing in the noise, than a militant world-changer... The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices--anger, contempt, self-pity--but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels, pp. 53-54. A FINE AND BRIGHT COPY.