![KING, Edward. A collection of 4 aquatints, and 4 lithographs, (6 in color finished by hand), and one colorist's model. Plates each approximately 200 x 300 mm to 255 x 344 mm. Comprising: "Morning Exercise." 1928. -- "In the Paddock." 1928. -- "Over the Liverpool." 1928. -- "At the Barrier." 1928. -- "The Paddock." Signed in pencil by the artist. [1929]. -- An uncolored copy of the preceding. Signed in pencil by the artist. -- "The Finish." Signed in pencil by the artist. [1929]. -- An uncolored copy of the preceeding. -- Colorist's model for "Rochester." 1931. Hand-colored lithograph. Signed in pencil by the artist, and pencil notation "Model OK." (Lower margin trimmed). Ordeman pp. 57-68, 107.](https://www.christies.com/img/LotImages/2012/NYR/2012_NYR_02656_0098_000(king_edward_a_collection_of_4_aquatints_and_4_lithographs_and_one_colo011103).jpg?w=1)
Details
KING, Edward. A collection of 4 aquatints, and 4 lithographs, (6 in color finished by hand), and one colorist's model. Plates each approximately 200 x 300 mm to 255 x 344 mm. Comprising: "Morning Exercise." 1928. -- "In the Paddock." 1928. -- "Over the Liverpool." 1928. -- "At the Barrier." 1928. -- "The Paddock." Signed in pencil by the artist. [1929]. -- An uncolored copy of the preceding. Signed in pencil by the artist. -- "The Finish." Signed in pencil by the artist. [1929]. -- An uncolored copy of the preceeding. -- Colorist's model for "Rochester." 1931. Hand-colored lithograph. Signed in pencil by the artist, and pencil notation "Model OK." (Lower margin trimmed). Ordeman pp. 57-68, 107.