A RESTAURATION ORMOLU SIX-LIGHT CHANDELIER
VAT rate of 5% is payable on hammer price and at 2… 显示更多
A RESTAURATION ORMOLU SIX-LIGHT CHANDELIER

CIRCA 1830-40, AFTER THE DESIGN BY ANDRE-CHARLES BOULLE

细节
A RESTAURATION ORMOLU SIX-LIGHT CHANDELIER
CIRCA 1830-40, AFTER THE DESIGN BY ANDRE-CHARLES BOULLE
The ring-suspension above a central urn stem enriched with cartouches and framed by foliate C-scrolls, the foliate hexagonal socle above a circular platform issuing gadrooned scrolling arms terminating in dished and rocaille-cast drip-pans, above a tapering boss with berried finial, of the same design as the preceding lot
30 in. (76 cm.) high; 32¼ in. (82 cm.) diameter
来源
The Collection of Antenor Patiño.
注意事项
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Jamie Collingridge
Jamie Collingridge

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拍品专文

Started by Simon Patiño, the founder of the Bolivian tin fortune, the Patiño Collection was greatly extended by his son Antenor (d. 1982). In contrast to the taste for Louis XVI of other great 19th-century French furniture collectors, the Patiños concentrated on the finest pieces from the Régence and early Louis XV periods, forming a legendary collection of menuiserie, lavish bronzes d'ameublement and, in particular, Japanese lacquer and Vernis Martin-embellished furniture, perhaps the most celebrated being the scarlet lacquer pieces, including the armoire by BVRB that had belonged to Mlle. de Choiseul, presented to the château de Versailles by Antenor Patiño.