Max Ernst (1891-1976)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM AN ENGLISH COLLECTION
Max Ernst (1891-1976)

Rêve d'une petite fille qui voulut entrer au Carmel: '...où nous avions dressé un petit purgatoire...'

Details
Max Ernst (1891-1976)
Rêve d'une petite fille qui voulut entrer au Carmel: '...où nous avions dressé un petit purgatoire...'
signed 'max ernst' (lower right)
paper collage on printed paper
5 7/8 x 4¾ in. (14.8 x 11.8 cm.)
Executed in 1929-1930
Provenance
Julien Levy, Bridgewater, Connecticut.
Mrs Raymond J. Braun, New York, by 1979.
Acquired by the present owner circa 2008.
Literature
H. Janis & R. Blesh, Collage: personnalities, concepts, techniques, Philadelphia, New York & London, 1967, no. 114, p. 101.
M. Ernst, Écritures, avec cent vingt illustrations extraites de l'oeuvre de l'artiste, Paris, 1970, p. 207.
W. Spies, Max Ernst, Collagen, Inventar und Widerspruch, Cologne, 1974, no. 316.
E. Quinn, Textes de Max Ernst, Paris, 1976, no. 194.7, p. 169.
W. Spies, S. & G. Metken, Max Ernst, Werke 1929-1938, Cologne, 1979, no. 1633, p. 36 (illustrated; not signed in illustration).
Exhibited
Paris, Galerie André François Petit, Max Ernst & Yves Tanguy, oeuvres anciennes, December 1961 (illustrated).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Sale room notice
This work will be included in the forthcoming eighth volume of the Max Ernst Catalogue raisonne currently being prepared by Werner Spies, Sigrid Mertken and Jürgen Pech.

Please note this work has been withdrawn from the sale.

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Cornelia Svedman
Cornelia Svedman

Lot Essay

'...où nous avions dressé un petit purgatoire...' is one of 80 collages executed by Max Ernst for his 1930 collage-novel Rêve d'une petite fille qui voulut entrer au Carmel, the 'collage novel' being a book consisting purely of collaged illustrations and their captions. This form of collage technique was one Ernst began experimenting with in 1919, and involved cutting and pasting from reproductions of nineteenth-century engravings to create a dream-like subversion of traditional illustration. He first published his collages in this style to accompany Paul Eluard's 1922 Repetitions, yet it was not until 1929 that he published the first of the three 'collage-novels', La femme 100 têtes [sic]. Rêve d'une petite fille qui voulut entrer au Carmel was the second of the novels, worked on during 1929 and 1930. It was then published by Editions du Carrefour, Paris.

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