A BLACK-ENAMELLED BLUE AND WHITE PORCELAIN SNUFF BOTTLE
1795-1799年 御製青花開光墨彩松下高士圖鼻煙壺 「乾隆年製」篆書款 1820-1880年 青花如意紋海棠式煙碟

IMPERIAL, JINGDEZHEN KILNS, QIANLONG FOUR-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD, 1795-1799

細節
1795-1799年 御製青花開光墨彩松下高士圖鼻煙壺 「乾隆年製」篆書款
1820-1880年 青花如意紋海棠式煙碟
來源
Snuff bottle: Gerd Lester, New York, 1981
出版
Snuff bottle: Noëlle King O'Connor, "Water: Changing Imagery in Chinese Art," Journal of the International Chinese Snuff Bottle Society, Baltimore, Autumn 1994, p. 10, fig. 15.
展覽
Snuff bottle: Taipei Gallery, New York, Chinese Snuff Bottles, 1-29 October 1993, p. 13.

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拍品專文

Finely painted in black enamel, the scenes on this bottle were likely inspired by literati ink paintings. a related bottle dated 1765-1799 painted with similar scenes is illustrated by Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, The Mary and George Bloch Collection, Vol. 6, Part 2, Arts of the Fire, Hong Kong, 2008, pp. 358-9, no. 1159, where the authors note, that this unusual style, "seems perhaps a little more likely to have come from the latter part of the Qianlong reign, while the emperor was still closely involved in developing new types and designs of snuff bottles and still vitally interested in the art form. His son does not appear to have shared his love of innovation in art and matched neither his creativity nor output." The authors base their dating of the Bloch bottle on a related bottle in the Imperial Collection that bears a Qianlong gold-enameled reign mark.

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