A thangka of Buddha enshrined at the Mahabodhi Temple
A thangka of Buddha enshrined at the Mahabodhi Temple

TIBET, 17TH/18TH CENTURY

Details
A thangka of Buddha enshrined at the Mahabodhi Temple
Tibet, 17th/18th century
Seated in dhyanasana on a lotus base over a low plinth, his hands in bhumisparsamudra and holding a bowl, clad in heavy robes and adorned with a foliate diadem, set within a niche of the Mahabodhi Temple with three stupa towers, surrounded by various votive stupas and other buildings associated with the temple complex, including the entrance gate at bottom center, all supporting an image of the Buddha or a Buddhist deity
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Please note this painting is 29 7/8 x 21¼ in. (75.9 x 54 cm.).

Lot Essay

The temple complex at Mahabodhi, the site where the Gautama Buddha first achieved enlightenment, is an important Buddhist pilgrimage site and has been since antiquity. During the Pala period (9th-12th centuries), Buddhist sites in Bihar and Bengal were lavishly sponsored by the local rulers, and it is likely the first great temple was built on the site during this time. Because of its historical significance, as well as its location near to the Buddhist universities of Nalanda and Vikramvishila, the Mahabodhi Temple was an especially popular pilgrimage destination for Tibetans before its decline following the Muslim invasions in the 13th century, and there are a number of models of the temple in existence that were built as souvenirs for these pilgrims. The present painting, with the temple at center surrounded by the numerous votive stupas and gate houses, certainly represents two-dimensionally the layout of that temple complex; because the painting dates from after the destruction of the temple, it is likely the artist used such a model as the inspiration. For a closely related example in the collection of the Rubin Museum of Art, see G. Mullin, Buddha in Paradise, 2007, p. 105, fig. 49.

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