Details
HURTREL, Alice. Les amours de Catherine de Bourbon. Paris: 1882. 4° (153 x 109mm). Frontispiece by Lalauze in two states, title in red and black with vignette, 9 plates of which one is in two states, historiated head- and tail-pieces, historiated initials. Later dark brown morocco by Vermorel, gilt filleted borders with foliate decoration, gilt spine compartments, gilt turn-ins, original wrappers bound in (spine faded). Provenance: purchased from Giraud 1927. NUMBER 31 OF 40 copies on Japan paper. Vicaire IV, 468-469.
With 8 others, various formats: Émille Mabille, Le grand parangon. Brussels: 1866. Number 2 of 106 copies; Bernadin de Saint-Pierre, La chaumière indienne. Paris: 1875. Number 43 of 60 numbered copies; André Theuriet, Les oellets de Kerlaz. Paris: 1885; Champfleury, pseudonym of Jules Franois Felix Fleury-Husson, Le violon de faïence. Paris: 1885. Number 13 of 500 copies; Maxime du Camp, Une histoire d'amour. Paris: 1888. Number 440 of 700 copies; Jules Adeline, La legende du violon de faïence. Paris: 1895. Number 9 of 500 copies; and 2 others by Saint-Pierre. Morocco bindings by Chambolle-Duru, David, Durvand, and others. (9)
With 8 others, various formats: Émille Mabille, Le grand parangon. Brussels: 1866. Number 2 of 106 copies; Bernadin de Saint-Pierre, La chaumière indienne. Paris: 1875. Number 43 of 60 numbered copies; André Theuriet, Les oellets de Kerlaz. Paris: 1885; Champfleury, pseudonym of Jules Franois Felix Fleury-Husson, Le violon de faïence. Paris: 1885. Number 13 of 500 copies; Maxime du Camp, Une histoire d'amour. Paris: 1888. Number 440 of 700 copies; Jules Adeline, La legende du violon de faïence. Paris: 1895. Number 9 of 500 copies; and 2 others by Saint-Pierre. Morocco bindings by Chambolle-Duru, David, Durvand, and others. (9)