A PAIR OF ORMOLU-MOUNTED SEVRES (LOUIS XVIII) PORCELAIN CLARET-GROUND VASES (VASES 'FUSEAU', 2EME GRANDEUR)
A PAIR OF ORMOLU-MOUNTED SEVRES (LOUIS XVIII) PORCELAIN CLARET-GROUND VASES (VASES 'FUSEAU', 2EME GRANDEUR)

DATED 1822, STENCILED GREY INTERLACED L'S MARK ENCLOSING FLEUR DE LYS AND SEVRES (18)22, GILT PAINTER'S MARK FOR RITON, UNIDENTIFIED GILDER'S INITIALS TB, AND DATE (18)22

Details
A PAIR OF ORMOLU-MOUNTED SEVRES (LOUIS XVIII) PORCELAIN CLARET-GROUND VASES (VASES 'FUSEAU', 2EME GRANDEUR)
DATED 1822, STENCILED GREY INTERLACED L'S MARK ENCLOSING FLEUR DE LYS AND SEVRES (18)22, GILT PAINTER'S MARK FOR RITON, UNIDENTIFIED GILDER'S INITIALS TB, AND DATE (18)22
Each of baluster form, the flaring mouth flanked by tall rosette handles with acanthus terminals, finely painted with a central panel enclosing a ribbon-tied lute or a winged torchère and wreath within a hand-tooled canted gilt surround, the reverse with similar navette-shaped panels, the lower body with a band of long-stemmed flowers alternating with stiff-leaf tips, on a conforming socle and square ormolu base
22¾ in. (58 cm.) high (2)

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

When Brongniart became Director of the Manufacture de Sèvres in 1800, he introduced a series of new vases based on Ancient forms. Many of these were designed by his father, the architect Alexandre-Theodore Brongniart, and by Charles Percier. Among this series, the 'vase Fuseau' was a grand success. For a 1re grandeur example of the same form, see See B. Ducrot, Porcelaines et Terres de Sèvres, Musée National du Château de Compèigne, Paris, 1993, p. 55, no. 6.

Pierre Riton, whose mark of the initial R appears on the present vases, is recorded as a painter at Sèvres 1821-1860. The gilt initials TB also found on the vases are those of the as yet unidentified gilder.

More from The Opulent Eye

View All
View All