AN IZNIK POTTERY TANKARD
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A BLUE AND WHITE POTTERY BOTTLE

PROVINCIAL OTTOMAN, LATE 16TH OR EARLY 17TH CENTURY

細節
A BLUE AND WHITE POTTERY BOTTLE
PROVINCIAL OTTOMAN, LATE 16TH OR EARLY 17TH CENTURY
Rising from short conical foot to bulbous body with a slight ridge on the shoulder, the cylindrical neck with a pronounced ring and widening to flaring mouth, the white ground painted in cobalt-blue with a main register of scrolling floral vine and large rosettes, the shoulder with a similar smaller band, the upper section of the neck with a series of vertical stripes, small area of restoration to body and rim, otherwise intact
12 7/8in. (32.8cm.) high
注意事項
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

榮譽呈獻

Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

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拍品專文

This unusual bottle was probably produced in a provincial Ottoman centre in the late 16th or 17th century. The shape of the bottle, with the knop in the neck and slightly flaring mouth is immediately reminiscent of Iznik sürahi, or water bottles (for an Iznik bottle of similar form see lot 222). The swaying bands that decorate the upper section of the neck are similarly Iznik in style although somewhat looser than the norm (although with Iznik pottery, the stripes are often confined to the lower section of the neck below the knop (see for example a bottle illustrated in Nurhan Atasoy and Julian Raby, Iznik. The Pottery of Ottoman Turkey, London, 1989, fig.416, p.232). The design around the body and neck with the wirey scrolls and palmettes relates to blue and white Iznik pottery of the 1570s and 80s, such as a bottle in the Türk ve Islam Eserleri Müzesi in Istanbul (inv.no.809, Nurhan Atasoy and Julian Raby Iznik, the Pottery of Ottoman Turkey, London, 1989, pl.451, p.241). Two blue-and-white jars in the Victoria and Albert Museum have much more developed decoration, but a similar glaze and conceit (inv.nos.262-1905 and 627-1902, Nurhan Atasoy and Lâle Uluç, Impressions of Ottoman Culture in Europe: 1453-1699, Istanbul, 2012, figs.97-98, pp.147-38). Both jars are described as having an uneven glaze uncharacteristic of Iznik, yet similar to our bottle, suggesting the existence of a secondary centre of production such as Thessaloniki (Atasoy and Uluç, op.cit., p.137). It is possible that this bottle was produced just in such a centre.

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