A LARGE ILLUMINATED TUGHRA OF SULTAN AHMED III
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A FIRMAN OF SULTAN ABDÜLHAMID I

OTTOMAN TURKEY, 22 MUHARRAM AH 1192/20 FEBRUARY 1778 AD

细节
A FIRMAN OF SULTAN ABDÜLHAMID I
OTTOMAN TURKEY, 22 MUHARRAM AH 1192/20 FEBRUARY 1778 AD
Ottoman Turkish manuscript on paper heightened with gold and polychrome, the gold tughra with interstices filled with floral motifs on pink, yellow, red and blue ground, to the left a blue hyacinth blossom and to the right an elegant floral medallion, an illuminated headpiece above containing a line of bold black diwani, all of the elements surrounded by gold highlighted floral scrolls and contained within a triangular cartouche outlined with a gold plaited band and issuing gold and pink saz leaves, beneath the tughra 32ll. of black diwani, creasing, some losses to folio, mounted, framed and glazed
30 1/8 x 20in. (76.5 x 50.5cm.)
注意事项
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Andrew Butler-Wheelhouse
Andrew Butler-Wheelhouse

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拍品专文

This firman deals with an investigation surrounding a group of, primarily Greek painters in the Galata district of Istanbul. It states that there ought only to be twenty five qualified masters, as opposed to the one hundred and sixty currently employed in the atelier and that all should be on the same wages. It also states that the illegal workshops that have been established in the same district should be shut down. The firman lists the certified ateliers, and gives a detailed description of the area of the workshops.

Another firman of Abdülhamid I is in the Museum of Turkish and Islamic Arts (2295, Hazirlayan Ayshegül Nadir, Imperial Ottoman Firmans, exhibition catalogue, Turkey, 1987, no. 54, pp.132-33). A third, the illumination of which bears close resemblance to ours, is in the David Collection (Kjeld von Folsach (ed.), Sultan, Shah and Great Mughal, Copenhagen, 1996, no.387, pp.411-12). Both that example and ours are decorated with floral cartouches to the right of the tughras that reflect the European influence that Ottoman art was subject to from the beginning of the 18th century. The David Collection one, like ours has the hatt-i hümayun, the Sultan's signature contained in a cartouche at the top. For a brief discussion on tughras and another example offered in this sale, please see the following lot.