AN EARLY VICTORIAN COMPOSITE STONE CAMPANA GARDEN URN
This lot is offered without reserve.
AN EARLY VICTORIAN COMPOSITE STONE CAMPANA GARDEN URN

POSSIBLY BY AUSTIN AND SEALY, CIRCA 1840

细节
AN EARLY VICTORIAN COMPOSITE STONE CAMPANA GARDEN URN
POSSIBLY BY AUSTIN AND SEALY, CIRCA 1840
With molded rim and tapered body, on a fluted socle and square plinth base
33 in. (84 cm.) high
来源
Bronson Pinchot; Christie's, New York, 8 April 2004, lot 266.
注意事项
This lot is offered without reserve.

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拍品专文

Felix Austin entered into business making artificial stone in 1828, having purchased moulds from a firm that had gone out of business. He established his works in New Road, London, describing himself variously as an architect, statuary mason and sculptor as well as artificial stone maker. His material was not the same as the ceramic body used by Mrs. Coade, but made from Portland cement, broken stone, pounded marble and course sand (The Builder, 1868). However, like Mrs. Coade, he encouraged leading architects and designers to work for him. Around 1840 he entered into partnership with John Seeley; Seeley had trained at the Royal Academy Schools and also made an artificial stone, which he called 'artificial limestone'. In 1841 they published their first catalogue: Collection of Ornaments at Austin & Seeley's Artificial Stone Works for Gardens, Parks and Pleasure Grounds, etc, from their address in New Road.