A GERMAN IVORY-INLAID WALNUT, OLIVEWOOD, KINGWOOD AND CHERRYWOOD MARQUETRY COMMODE
Prospective purchasers are advised that several co… 显示更多
A GERMAN IVORY-INLAID WALNUT, OLIVEWOOD, KINGWOOD AND CHERRYWOOD MARQUETRY COMMODE

ATTRIBUTED TO HEINRICH LUDWIG ROHDE (1683-1755), MAINZ, CIRCA 1725-35

细节
A GERMAN IVORY-INLAID WALNUT, OLIVEWOOD, KINGWOOD AND CHERRYWOOD MARQUETRY COMMODE
ATTRIBUTED TO HEINRICH LUDWIG ROHDE (1683-1755), MAINZ, CIRCA 1725-35
Inlaid overall with scrolling foliage and interlaced strapwork, the rounded rectangular moulded top above four drawers inlaid with simulated panels, the sides inlaid conformingly, on shaped bracket feet
37¼ in. (94.5 cm.) high; 47¼ in. (120 cm.) wide; 23½ in. (60 cm.) deep
来源
Possibly supplied to Carl Gustav I von Maltzahn, Teschow but most probably to his son
Gustav Adolf von Maltzahn, Teschow (d. 1766) and by descent to
Hans Gustav von Maltzahn, Vanselow (d. 1829) and by descent to
Heinrich von Eickstedt, Eickstedtswalde (d. 1869) and by descent to Vigivenz Jachim Valentin Dubslaff von Eickstedt, Eickstedtswalde (d. 1897) and by descent.
Anonymous sale; Christie's London, 5 July 2001, lot 186.
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Alexandra Cruden
Alexandra Cruden

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拍品专文

This elegant commode can confidently be attributed to the Mainz Hofschreiner Heinrich Ludwig Rohde (1683-1755) on the basis of comparison with a small group of ivory-inlaid marquetry furniture, which he executed circa 1725-1735. The group represents different furniture types with varying rectilinear forms, and the main similarities lie in the characteristic marquetry decoration, which consists of foliate scrolls of ivory and various woods and scrolling interlaced strapwork framed by ivory or boxwood lines (H. Zinnkann, Meisterstücke Mainzer Möbel des 18. Jahrhundert, Frankfurt, 1988, pp. 96-104, nos. I-V).

Besides close similarities with the entire group, the marquetry decoration of the present commode is perhaps most closely linked to a writing-cabinet now in the collection of the Prince of Liechtenstein in Vaduz, which is embellished with identical foliate and acanthus clasps to the drawers-fronts and sides and similar interlaced strapwork. It is Rohde's earliest known piece, which he executed shortly after returning from Schloss Pommersfelden, where he had worked for Kurfürst Lothar Franz von Schönborn (1655-1729). The Liechtenstein kabinettschrank bears an intriguing inscription: 'Mich hat fertig gemacht Ludwig Rohde, kurfürstl. Maintz Hofschreiner 2 Jahr Arbeit bin ich gewesen. An' 1725 angefangen, An' 1726 im Juny fertig geworden. Ich gehör dem Hof Camrath von Nietschke' (ibid, p. 96).