.jpg?w=1)
拍品專文
This repoussé leather portrait probably derives from the circular medallion by François Girardon (1628-1715) that featured amongst the bas-relief composition presented by the sculptor to his native city Troyes in 1687. Placed above a mantelpiece in the hotel de Ville, Troyes, in 1690, the bas-relief remains in situ to this day.
Girardon's celebrated portrait medallion of Louis XIV inspired several contemporary and slightly later versions, including the oval example in marble in the Basilica Saint-Denis, Paris, which was acquired by Alexandre Lenoir in the early 19th Century for the musée des Monuments Français and subsequently incorporated in the cenotaph to Louis XIV erected in 1843. A further related medallion, executed in repoussé leather, is in the Musée des Arts Décoratifs, Bordeaux. A further example was sold Christie's, New York, 18 October 2002, lot 568 for $28,680.
Girardon's celebrated portrait medallion of Louis XIV inspired several contemporary and slightly later versions, including the oval example in marble in the Basilica Saint-Denis, Paris, which was acquired by Alexandre Lenoir in the early 19th Century for the musée des Monuments Français and subsequently incorporated in the cenotaph to Louis XIV erected in 1843. A further related medallion, executed in repoussé leather, is in the Musée des Arts Décoratifs, Bordeaux. A further example was sold Christie's, New York, 18 October 2002, lot 568 for $28,680.