FLAVIEN-EMMANUEL CHABANNE (FRENCH, 1799-1864)
Prospective purchasers are advised that several co… 显示更多
FLAVIEN-EMMANUEL CHABANNE (FRENCH, 1799-1864)

细节
FLAVIEN-EMMANUEL CHABANNE (FRENCH, 1799-1864)
Prince Victor-Amédée-Marie de Broglie (1772-1852), in military uniform of maréchal de camp, gold-edged blue coat, gold epaulettes with two stars, gold frogging and aiguillettes, wearing the badges of the French Royal Orders of St Louis, the Lys and Legion of Honour, of the Piedmontese Order of Saints Maurice and Lazare, and of the Spanish Royal Order of St Ferdinand (4th class), black stock, fair hair
signed and dated 'Chabanne 1827.' (mid-left)
on ivory
oval, 3 1/16 in. (78 mm.) high, gilt-metal mount
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Matilda Burn
Matilda Burn

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拍品专文

Prince Victor-Amédée-Marie de Broglie was the youngest of fifteen children of Victor-François de Broglie (1718-1804). He was originally destined for a life with the Church but the outbreak of the French Revolution saw him joining the emigrés army into a regiment commanded by his father. After his brother's death in 1794 he rose to Colonel of the regiment and received the Order of St Louis in 1799 and became Marshal of France in the same year. In 1813 he turned down an offer made by Napoleon to command a regiment of Guards of Honour but accepted the role of Inspector of the Cavalry after the Bourbon restoration. He retired from military life as maréchal de camp in 1835.
We are indebted to Dr Dimitri Gorchkoff for identifying the sitter as Prince Victor-Amédée-Marie de Broglie and the orders he is wearing in the present portrait. According to him, the sitter's aiguillettes and orders suggest that the present miniature derives from an 1818-1819 portrait.