A REGENCY ORMOLU-MOUNTED SATINWOOD, WHITE-PAINTED AND PARCEL-GILT SIDE CABINET
THE PROPERTY OF A GENTLEMAN 
A REGENCY ORMOLU-MOUNTED SATINWOOD, WHITE-PAINTED AND PARCEL-GILT SIDE CABINET

IN THE MANNER OF HENRY HOLLAND, CIRCA 1800

Details
A REGENCY ORMOLU-MOUNTED SATINWOOD, WHITE-PAINTED AND PARCEL-GILT SIDE CABINET
IN THE MANNER OF HENRY HOLLAND, CIRCA 1800
Of breakfront outline, the tulipwood crossbanded eared top with a pierced three quarter gallery above three cedar-lined frieze drawers, a concave central bay with two adjustable shelves, flanked by brass grille doors and with spiral fluted and leaf-carved columns, on short turned feet, feet slightly reduced, door and drawer pulls added, the gallery apparently original
33¾ in. (86 cm.) high; 56¼ in. (143 cm.) wide; 15¼ in. (39 cm.) deep
Provenance
Acquired in the 1950s, almost certainly at Blairman, and thence by descent.

Brought to you by

Celia Harvey
Celia Harvey

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Lot Essay

The cabinet shows the marked influence of Henry Holland, architect to the Prince Regent from the late 1780s, who worked at both Carlton House and the Royal Pavilion, Brighton. He was the leading proponent of the French taste and in association with the marchand-mercier Dominique Daguerre, Holland purchased French neo-Classical furniture for the Prince Regent, and it was French designers such as Weisweiler and Jacob who were to be most influential on Holland's own work. A design for a pier table and mirror for Woburn Abbey, Bedfordshire illustrated in P. Ward-Jackson, Furniture Designs of the 18th Century, London, 1958, pl.302, is of similarly restained form, while the furniture at Southill, the Bedfordshire house that Holland transformed for Samuel Whitbread and which remains his most complete surviving interior, is comparable (see F. Collard, Regency Furniture, Woodbridge, 1985, pp. 38 - 43.

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