RARE PAIRE DE BOITES EN BRONZE DORE ET EMAUX CHAMPLEVES
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RARE PAIRE DE BOITES EN BRONZE DORE ET EMAUX CHAMPLEVES

CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)

Details
RARE PAIRE DE BOITES EN BRONZE DORE ET EMAUX CHAMPLEVES
CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795)
En forme de melon, elles sont ornées de petits fruits, de fleurs et de feuillages en émaux champlevés rose, blanc, vert et bleu. La boîte et son couvercle sont rehaussés d'un élégant maillage de tiges feuillagées en bronze doré et petits melons. L'intérieur est en bronze doré ; petite restauration et petits bouchages.
Longueur: 10,3 cm. (4 1/8 in.) (2)
Provenance
Christie's Hong Kong, 28 April 2003, lot 556
Special notice
" f " : In addition to the regular Buyer’s premium, a commission of 7% (i.e. 7.385% inclusive of VAT for books, 8.372% inclusive of VAT for the other lots) of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit.(Please refer to section VAT refunds)
Further details
A RARE PAIR OF CHAMPLEVE ENAMEL AND GILT-BRONZE MELON-FORM BOXES AND COVERS
CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)

Lot Essay

A related box of this rare melon form decorated with both cloisonné and champlevé enamel from the Juan Jose Amezaga and Maria Dolores Feijoo Collection, was sold by Christie's Paris, 7 December 2007, lot 19. See also another pair of boxes sold by Christie's Hong Kong, 7 July 2003, lot 556.
Melons with their numerous seeds provide the rebus gua die mian mian, 'may you have everlasting generations of sons and grandsons'. As such their forms are rendered with the use of various media such as the bamboo boxes illustrated in The Palace Museum Collection of Elite Carvings, Forbidden City Publish House, 2002, nos. 34 and 35; a similarly shaped box and cover of boxwood, Masterpieces of Chinese Miniature Crafts in the National Palace Museum, Gakken, Japan, 1996, no. 14; and a lobed melon-shaped gold lacquer box from the Palace Museum collection, Beijing, illustrated in Zhongguo Qiqi Quanji, vol. 6, Qing, no. 150.
The melon motif also found favour in ceramics and works of art, cf. a blue and white charger decorated on the interior with melons growing on vines, illustrated in Selected Chinese Ceramics from Han and Qing Dynasties, the Chang Foundation, 1990, no. 125; and on a double-gourd glass snuff bottle in the Palace Museum collection, Beijing, illustrated in Biyanhu, Commerical Press, no. 11.

See a comparable pair of boxes sold in Christie's Hong Kong, 7 July 2003, lot 556.

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