Sir Lawrence Alma-Tadema, O.M., R.A. (1836-1912)
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Sir Lawrence Alma-Tadema, O.M., R.A. (1836-1912)

Japanese Peonies

Details
Sir Lawrence Alma-Tadema, O.M., R.A. (1836-1912)
Japanese Peonies
signed with initials (lower right) and with inscription 'certified by Anna Alma Tadema' (on the reverse)
oil on card
7 x 8½ in. (17.8 x 21.6 cm.)
Provenance
By descent to Anna Alma-Tadema until
The Late Sir L. Alma-Tadema (+); Hampton & Sons, London, 11 June 1913, lot 576.
with The Fine Art Society, London, where purchased by
Matsukata Kojiro (1865-1950), Tokyo, Japan.
Literature
V. Swanson, The Biography and Catalogue Raisonne of the Paintings of Sir Lawrence Alma-Tadema, London, 1990, p. 278, no. 446, as 'present location unknown'.
Exhibited
Tokyo, Nihonbashi Shirakiya, Exhibition of the Best Works from Old Matsukata Collection, 9-28 April 1957, number untraced.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

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Bernard Williams
Bernard Williams

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Lot Essay

This delightful work was probably a stand-alone study. Often friends would bring flowers to Sir Lawrence and in this case he passionately painted them with assurity and sensitivity. It was painted in his St John's Wood studio with the well-known green glass vase which appears in his oil In the Corner of My Studio (Swanson, op. cit., no. 356, 1892) and A Flag of Truce (Swanson, op. cit., no. 395, 1900). The vase rests on Tadema's pianoforte with the studio's green variegated marble pilaster seen behind. The beautifully painted red and pink Japanese peonies compare favourably with the best florals of Henri Fantin-Latour. They are vigorously painted and delicately conceived. Tadema usually painted on mahogany panel, painting on card-board was quite unusual, which argues for the idea that it was a 'spur of the moment' inspiration to paint these peonies. The picture remained in the studio until the artist's death and was sold in his estate auction by Hampton and Sons. The artist's daughter, Anna Alma-Tadema certified a number of her father's and mother's unsigned and initialled artwork in preparation for the Hampton and Sons sale.

We are grateful to Dr Vern Swanson for his help in preparing this catalogue entry.

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