Malcolm Drummond (1880-1945)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more The Property of the late Hon. C.A. Lennox-Boyd, Sold By Order of the Executors.
Malcolm Drummond (1880-1945)

The Cellist

Details
Malcolm Drummond (1880-1945)
The Cellist
signed 'Drummond.' (lower right)
oil on canvas
20 x 16 in. (50.8 x 40.7 cm.)
Painted in 1913.
Provenance
Purchased by the Hon. C.A. Lennox-Boyd, circa 1965.
Exhibited
London, Goupil Gallery, 1st Exhibition of Work by Members of the London Group, March - April 1914, no. 27.
London, Arts Council of Great Britain, Malcolm Drummond Exhibition of Paintings, August - September 1963, no. 13: this exhibition travelled to Huddersfield, Art Gallery, October - November 1963; Southampton, Art Gallery, November 1963; Plymouth, City Art Gallery, December 1963; Kettering, Art Gallery, January 1964; and Derby, Museum and Art Gallery, February 1964.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

André Zlattinger
André Zlattinger

Lot Essay

Drummond was a student of Walter Sickert, himself a keen sketcher of music halls. Unlike many of Sickert's other followers and friends, Drummond was not an inhabitant of the Camden Town area, preferring to live and work further south in Chelsea. He shared his studio with his wife and fellow artist, Zina Ogilvie (1887-1931), who was a talented musician and concert pianist, performing at the Wigmore Hall. Malcolm and Zina shared a passion for art and music and worked together in Malcolm's studio as well as performing musical soirées together at home, with Malcolm accompanying Zina on violin.

Drummond often chose to portray his subjects from ambitious and unusual angles, and his paintings are characterised by simplified structures and forms. Here we observe his distinctive use of bright decorative colour, applied thickly but in clearly defined patches, and with a strong sense of design.

W.B.

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