Studio of Gerrit van Honthorst (Utrecht 1592-1656)
Property from a European Noble family (LOTS 119, 141 & 216)
Studio of Gerrit van Honthorst (Utrecht 1592-1656)

A cavalier lighting a pipe from a candle, an old woman pouring from a crock and a young woman cutting tobacco - a fragment

細節
Studio of Gerrit van Honthorst (Utrecht 1592-1656)
A cavalier lighting a pipe from a candle, an old woman pouring from a crock and a young woman cutting tobacco - a fragment
oil on canvas
39 x 32½ in. (99.1 x 82.1 cm.)
來源
Enid Scudamore-Stanhope, Countess of Chesterfield (1878-1957), Beningbrough Hall, North Yorkshire (according to Nicolson, op. cit.).
Rowland Charles Arthur Palmer-Morewood (1879-1957), Alfreton Hall, Derbyshire; (+) Christie's, London, 23 November 1984, lot 72, as 'Attributed to Gerrit van Honthorst' (£16,200).
Art market, Monaco, Montecarlo.
出版
B. Nicolson, The International Caravaggesque Movement, Oxford, 1979, pp. 60 and 223, pl. 142, as 'Fragment', 'Uncertain Attribution', Beningbrough Hall, North Yorkshire, National Trust (with the young woman cutting tobacco painted out).
B. Nicolson, Caravaggism in Europe, second edition, revised and enlarged by L. Vertova, Turin, 1989, I, p. 126, as 'Fragment', 'Uncertain Attribution'; III, pl. 1255 (with the young woman cutting tobacco painted out).
J.R. Judson and R.E.O. Ekkart, Gerrit van Honthorst, Doornspijk, 1999, p. 198, under no. 256, pl. 145, as 'Fragment', 'Judging from the photograph, it was very likely painted in Honthorst's atelier some time in the 1620s', whereabouts unknown (with the young woman cutting tobacco painted out).
展覽
Derby, Corporation Art Gallery, Wright of Derby, Bicentenary Exhibition, 1934, no. 87, as 'J. Wright of Derby' (lent by R.G. Palmer-Morewood).
拍場告示
Please note that the Rowland Charles Arthur Palmer-Morewood sale at Christie's was on 11 November 1984, lot 57, and not as stated in the catalogue.

榮譽呈獻

Alexis Ashot
Alexis Ashot

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拍品專文

The jovial, low-life subject and dramatic chiaroscuro light effects of this picture identify it with the work of the Utrecht Caravaggist painter, Gerrit van Honthorst and his Studio. After beginning his career as a pupil of Abraham Bloemaert in Utrecht, Honthorst traveled to Italy around 1610-15 to complete his training. There he encountered the paintings of Caravaggio and his followers, such as Bartolomeo Manfredi (1582-1622), whose paintings of life-size, half-length genre figures modeled by powerful chiaroscuro profoundly influenced his imagery. Upon returning to the Netherlands in 1620, Honthorst continued to work in a Caravaggesque idiom, for which he and his fellow townsmen Hendrick ter Brugghen and Dirck van Baburen, among others, became known as the 'Utrecht Caravaggisti'. Honthorst's extraordinary mastery in rendering the effects of candlelight as it plays over forms in a darkened interior earned him the nickname 'Gherardo delle Notti', or 'Gherardo of the Night'.

Beningbrough Hall, North Yorkshire, was built in 1716 by John Bourchier III (d. 1736) and remained in his family for over one hundred years, before passing in 1827 to a distant relative, the Rev. William Henry Dawnay, future 6th Viscount Downe. In 1916, it was acquired and restored by the wealthy heiress, Enid Scudamore-Stanhope, Countess of Chesterfield, and on her death in 1957 the contents were offered in a four day sale held on the premises by Curtis & Henson (10-13 June 1958), and the estate was acquired by the National Trust. In partnership with the National Portrait Gallery, it now exhibits more than one hundred 18th century portraits. Built circa 1724-25, Alfreton Hall, North Derbyshire, was the home of George Morewood and was in turn owned by the Palmer-Morewood family, owners of many of the local coalmines. The estate was acquired by the County Council in 1963.