Lot Essay
Cordaro points out that the impression at the Uffizi is also printed on the reverse of an architectural engraving, indicating the practice of re-using paper for printing in the Calcografia in Rome.
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Zinnie in un vaso a strisce (V. 65; C. p. 73)
Details
Giorgio Morandi
Zinnie in un vaso a strisce (V. 65; C. p. 73)
etching, 1929, printed on the reverse of an architectural engraving, probably an unsigned printer's proof of the first state (of two), inscribed la velatura d'ovvido si leverà facilmente - 20 esemplari in pencil (the numbered edition of the first state was thirty), with margins, some creases and two repaired paper losses at the lower sheet edge, generally in good condition
P. 300 x 260 mm., S. 440 x 488 mm.
Zinnie in un vaso a strisce (V. 65; C. p. 73)
etching, 1929, printed on the reverse of an architectural engraving, probably an unsigned printer's proof of the first state (of two), inscribed la velatura d'ovvido si leverà facilmente - 20 esemplari in pencil (the numbered edition of the first state was thirty), with margins, some creases and two repaired paper losses at the lower sheet edge, generally in good condition
P. 300 x 260 mm., S. 440 x 488 mm.
Provenance
Carlo Alberto Petrucci, Roma.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Brought to you by
Charlie Scott
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