A REGENCY PARCEL-GILT CALAMANDER AND ROSEWOOD DISPLAY CABINET
Prospective purchasers are advised that several co… Read more
A REGENCY PARCEL-GILT CALAMANDER AND ROSEWOOD DISPLAY CABINET

CIRCA 1800

Details
A REGENCY PARCEL-GILT CALAMANDER AND ROSEWOOD DISPLAY CABINET
CIRCA 1800
The moulded cornice above three silk-lined bays, each enclosed by a glazed door, flanked by fluted baluster pilasters, the base with three cedar-lined frieze drawers on fluted baluster legs joined by X-stretcher, the top probably originally with marble, now grained, various pencil marks to the carcass and the central drawer stencilled '13299'
54¼ in. (137.5 cm.) high; 34 in. (87 cm.) wide; 14¼ in. (36 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.
Sale room notice
The upper section was previously fitted, possibly with drawers or trays raising the possibility that the doors may not have originally been glazed.

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Alexandra Cruden

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Lot Essay

The design of this cabinet, conceived in the Louis XVI fashion based on the designs of the great ébéniste Adam Weisweiler (d. circa 1810), is typical of the furniture produced under the direction of the eminent architect designer Henry Holland (d. 1806). Two strong candidates for its authorship are, the Royal cabinet makers, Seddon, Sons & Shackleton and Marsh and Tatham, both of whom are known to have worked under Holland on Bedfordshire projects; Seddon, Sons & Shackleton at Woburn Abbey, and Oakley House; and Marsh & Tatham at Southill. At Woburn there survives a cabinet, designed to house a model ship, with a closely related base which employs the same design of stretcher, but with a filled central panel. Whilst at Southill there is a series of related furniture, most notably an ormolu-mounted rosewood tambour-top writing-table, again featuring the same distinctive stretcher (see F.J.B. Watson, 'The Furniture and Decoration', Southill, A Regency House, London, 1951, p.24, fig. 39.). Thomas Sheraton (d.1806) described calamander (coromandel) as 'lately introduced into England', he also noted it as 'valuable', so its extensive use, sometimes in the solid, in the construction of this cabinet suggests it was an extremely expensive piece of furniture when first acquired, in keeping with that supplied for the above commissions (see A. Bowett, Woods in British Furniture-Making, 1400-1900, Wetherby, 2012, pp.48-49).
A related lady's dressing table with an ivory maker's tablet engraved 'Seddon, Sons & Shackleton', circa 1795, is now in the Metropolitan Museum of Art, New York (C. Gilbert, 'Seddon, Sons & Shackleton', Furniture History, 1997, figs.17 and 18) and a related rosewood and marquetry D-shaped side table attributed to the firm, sold Christie's London, 9 June 2011, lot 234 (£30,000 incl.). A related D-shaped side cabinet attributed to Marsh & Tatham, exhibiting the same contrasting decoration and employing the same type of recessed fluted pilasters, was sold Christie's New York, 21 October 1999, lot 216 ($40,250 incl.).

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