ADAM, Robert (1728-1792) and James (1732-1794). The Works in Architecture. London: for the authors and sold by Peter Elmsly, [1773-] 1778-1779. 2 volumes, 2° (624 x 485mm). Engraved frontispiece, and 80 engraved plates, of which two folding, by G.B. Piranesi, Vivares, Rooker, Zucchi, Pastorini and others, after R. and J. Adams. (A tear in each plate of vol. 1 part 1 crudely repaired on verso, some dampstaining in vol. 1 part 5, folding plates with some browning, light marginal soiling, occasional mostly marginal spotting, one plate in vol. 2 with an early repair, some leaves evenly yellowed.) 19th-century half calf, spines with gilt rules and red morocco labels, the sides with a roll-tool in blind, edges sprinkled red (worn, one board nearly detached, spine ends chipped, some corners lacking leather, sides scuffed, endpapers browned). Provenance: John Tiranti & Co (small label).
ADAM, Robert (1728-1792) and James (1732-1794). The Works in Architecture. London: for the authors and sold by Peter Elmsly, [1773-] 1778-1779. 2 volumes, 2° (624 x 485mm). Engraved frontispiece, and 80 engraved plates, of which two folding, by G.B. Piranesi, Vivares, Rooker, Zucchi, Pastorini and others, after R. and J. Adams. (A tear in each plate of vol. 1 part 1 crudely repaired on verso, some dampstaining in vol. 1 part 5, folding plates with some browning, light marginal soiling, occasional mostly marginal spotting, one plate in vol. 2 with an early repair, some leaves evenly yellowed.) 19th-century half calf, spines with gilt rules and red morocco labels, the sides with a roll-tool in blind, edges sprinkled red (worn, one board nearly detached, spine ends chipped, some corners lacking leather, sides scuffed, endpapers browned). Provenance: John Tiranti & Co (small label).

Details
ADAM, Robert (1728-1792) and James (1732-1794). The Works in Architecture. London: for the authors and sold by Peter Elmsly, [1773-] 1778-1779. 2 volumes, 2° (624 x 485mm). Engraved frontispiece, and 80 engraved plates, of which two folding, by G.B. Piranesi, Vivares, Rooker, Zucchi, Pastorini and others, after R. and J. Adams. (A tear in each plate of vol. 1 part 1 crudely repaired on verso, some dampstaining in vol. 1 part 5, folding plates with some browning, light marginal soiling, occasional mostly marginal spotting, one plate in vol. 2 with an early repair, some leaves evenly yellowed.) 19th-century half calf, spines with gilt rules and red morocco labels, the sides with a roll-tool in blind, edges sprinkled red (worn, one board nearly detached, spine ends chipped, some corners lacking leather, sides scuffed, endpapers browned). Provenance: John Tiranti & Co (small label).

FIRST EDITION. THE 'MOST BEAUTIFUL AND INNOVATIVE' BRITISH ARCHITECTURAL BOOK OF THE 18TH CENTURY (Wiebenson Architectural); it is 'the most comprehensive presentation of stylistically unified designs ever published in Britain. Among the aristocratic and wealthy class, it was seminal in popularizing neo-classical ideas of interior planning, the Adam Style of ornament, and in freeing English design from the Palladian's austere interpretation of the classical idiom' (Wiebenson Millard). The Adam brothers 'lavished every extra penny on making the most brilliant display of commissioned architectural work ever published... on a scale and with an elegance unprecedented in English architectural books' (Harris). Berlin Kat. I(1977):2341; Harris British Architectural Books and Writers 5; RIBA I:28; Wiebenson Millard Collection vol. II, pp.12-18; Wiebenson Architectural theory and practice from Alberti to Ledoux III-D-34. (2)

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