EIGHT PIETRA DURA PLAQUES
Property of the Zu Lynar-Redern Family (lots 270-272)
EIGHT PIETRA DURA PLAQUES

FIVE 17TH CENTURY, PROBABLY FLORENCE

细节
EIGHT PIETRA DURA PLAQUES
FIVE 17TH CENTURY, PROBABLY FLORENCE
Each depicting a bird perched on a branch
The largest 10¼ in. (26 cm.) high x 8¾ in. (22 cm.) wide (incl. frame); the smallest 5¼ in. (13 cm.) high x 6½ in. (16.5 cm.) wide (incl. frame)
Together with a large pietra dura plaque depicting an owl and two birds, possibly Prague, 17th century; a rectangular and an arched plaque, 19th century; and a later conforming marquetry panel, all originating from a lost cabinet with drawers, one drawer with inventory labels
来源
Neues Palais, Berlin, room 269, no. 17 (according to label).
Given by Friedrich Wilhelm IV, King of Prussia, to Friedrich Wilhelm
Graf von Redern (1802-1883) on 6th February 1846, and by descent.
Seized by the Soviet Army from Waldgut Glambeck in 1945.
With the Stiftung Preuische Schlösser und Gärten Berlin-Brandenburg.
Restituted to the heirs of the Estate of Princess Viktoria Maria zu
Lynar-Redern in 2013.
拍场告示
Please note, one plaque is with marquetry in various woods, as stated in the printed catalogue description.

荣誉呈献

Christiaan van Rechteren
Christiaan van Rechteren

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拍品专文

Comparable plaques can be found in cabinets crafted in Augsburg in the second half of the 17th century. For example in the collection of the Weimar Residenzschlosse and the Kunstgewerbemuseum in Berlin (both illustrated in R. Both & G.-D. Ulferts, Möbel Urhen Relifintarsien, Berlin 2001, pp. 92-99).
The first Augsburg cabinet to incorporate Florentine pietra dura plaques is probably the Gustav-Adolf-Kunstschrank, which was executed between 1619 and 1626 and presented to the King in 1632. Hainhofer had acquired the plaques through his brother who lived in Florence, where the Grand Ducal workshops or Opificio delle pietre dure had been founded in 1588 by Grand Duke Ferdinando I de Medici (R. Baarsen, 'Een Augsburgs pronkkabinet', Bulletin van het Rijskmuseum 48(2000), pp. 7-9 and note 16).

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