拍品 26
26
NUR AL-DIN 'ABD AL-RAHMAN JAMI (D. AH 898/1492 AD): TUHFAT AL-AHRAR
A PRIVATE COLLECTION DONATED TO BENEFIT THE UNIVERSITY OF OXFORD
NUR AL-DIN 'ABD AL-RAHMAN JAMI (D. AH 898/1492 AD): TUHFAT AL-AHRAR

COPIED BY SHAH MAHMUD [NISHAPURI], SAFAVID IRAN, 16TH CENTURY

細節
NUR AL-DIN 'ABD AL-RAHMAN JAMI (D. AH 898/1492 AD): TUHFAT AL-AHRAR
COPIED BY SHAH MAHMUD [NISHAPURI], SAFAVID IRAN, 16TH CENTURY
Poetry, Persian mansucript on paper, 62ff. plus 3 fly-leaves, each folio with 15ll. of elegant black nasta'liq divided into two columns, headings in blue and gold ink, the opening folio with an illuminated shamsa containing the title of the work in white nasta'liq on gold ground, the opening bifolio with an illuminated heading in gold and polychrome margins with added depictions of turbanned figures in gold-outlined landscapes, small floral cartouches on either side of the lower part of the text panel, the following page with a thin illuminated band marking the beginning of the text, the colophon signed and flanked on either side by triangular cartouches containing floral sprays on gold ground, in later brown morocco stamped and gilded binding with flap
Text panel 5 x 2 1/8in. (12.5 x 5.3cm.); folio 7 5/8 x 4 1/8in. (19.3 x 10.3cm.)
拍場告示
Please note that the binding of this manuscript is probably 16th century and not later as stated in the catalogue entry.

榮譽呈獻

Sara Plumbly
Sara Plumbly

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拍品專文

Shah Mahmud al-Nishapuri, also known as Zarin Qalam ('Golden Pen'), lived and worked in Tabriz for most of his life. He was a royal calligrapher to Shah Tahmasp (d.1574) and was without doubt one of the greatest calligraphers of his time, renowned for his 'perfect nasta'liq'. When the Shah lost interest in the Arts, Shah Mahmud moved to Mashhad and worked there under the patronage of Ibrahim Mirza (d.1577) until he died (Norah M. Titley, Persian Miniature Painting and its Influence on the Art of Turkey and India, London 1983, pp.84,103,105, fig.81; and A.J. Arberry (ed.), The Chester Beatty Library. A Catalogue of the Persian Manuscripts and Miniatures, Vol. II, no. 179). His recorded work is dated between AH 923-982/1517-75 AD.

更多來自 <strong>伊斯蘭及印度藝術 (私人珍藏拍賣收益撥予牛津大學) IV</strong>

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