拍品专文
The exaggerated proportions of the leg and admittedly unconventional design of this table relates to the labelled work of the Dublin firm of Del Vecchio, variously listed from 1797-1848 (see D. Fitz-Gerald, 'The Dublin Del Vecchios', The Magazine Antiques, October 1981, pp. 910-914). The use of applied symbols appears in furniture designs of the period, such as on the Egyptian revival patterns of Thomas Hope, however the peculiar combination of emblems here including a bovine, chair, cornucopia, frock and meat platter, remains a mystery and may well relate to a secret society or club.
.jpg?w=1)