Khaled Jarrar (Palestinian, b. 1976)
KHALED JARRAR (PALESTINIAN, B. 1976)

Olive Tree

细节
KHALED JARRAR (PALESTINIAN, B. 1976)
Olive Tree
concrete and olive tree trunk
43¼ x 24¼ x 12in. (111 x 61.5 x 30.5cm.)
Executed in 2013, this work is unique
来源
Acquired directly from the artist by the present owner.
展览
London, Ayyam Gallery, Khaled Jarrar: Whole in the Wall, 2013.

荣誉呈献

Bibi Naz Zavieh
Bibi Naz Zavieh

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拍品专文

'Jarrar employs olive trees for their significance to the Palestinian people, traditional symbology, and to emphasize their widespread destruction when the [Apartheid] wall was erected. Cherished not only for their economic importance, olive trees are draught resistant and able to thrive for thousands of years under poor conditions, symbolizing the Palestinian spirit. Half olive tree, half concrete, the sculptures reveal the impediments on growth, nature, and peace as a result of the wall. Yet as a tree can grow from beneath concrete, the hope for unity and a free Palestine is retained in these sculptures.'
(L. A. Biddle, "Khaled Jarrar: Through the Barricades" in Harper's Bazaar Art Arabia, issue 8, July-August 2013, p. 49).

更多来自 现代及当代阿拉伯、伊朗及土耳其艺术II

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