Lot Essay
The 'Horse-eye' dish started to be produced in late Edo period as daily tableware. Its simplicity and Yo no bi [beauty among function] attracted connoissieurs of the Mingei movement including Yanagi Soetsu and yielded a number of collectors.
Seto dishes were collected and valued by Leach and Hamada with a number entering their reference collections. See John Edgeler, Slipware and St Ives: The Leach Pottery 1920-1937 (Winchcombe, 2010), p.15
Seto dishes were collected and valued by Leach and Hamada with a number entering their reference collections. See John Edgeler, Slipware and St Ives: The Leach Pottery 1920-1937 (Winchcombe, 2010), p.15